Spring Awakening, Stockwell Playhouse

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by Amy Toledano

Held holy by many musical theatre enthusiasts, Spring Awakening is about the turmoil and angst of growing up. The pain of self-discovery and the frustrations at growing up rapidly, and still being treated as a child by the adults around you, are one of its primary themes. And while The British Theatre Academy did their best to relay this to their audience, unfortunately they only remained at a surface level – it never really goes to the dark and vulnerable places that this show so desperately requires to make an impact.

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Sancho, Wilton’s Music Hall

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By Laura Kressly

Like many before and after him, Ignatius Sancho was born on a slave ship in 1729. Unlike other slaves, the orphan received an education, married, owned property, published letters and compositions, and was the first black person to vote in a British election. 

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Testosterone, VAULT Festival

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by Meredith Jones Russell

Testosterone is an explosive, energetic, riotous exploration of all things male, asking what exactly it means to be a man.

Rhum and Clay Theatre Company has teamed up with Kit Redstone, who wrote the play based on his own experiences as a trans man, and stars as himself. We meet him as he prepares to walk in to that bastion of machismo – the men’s locker room at the gym – for the first time.

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The War Has Not Yet Started, Southwark Playhouse

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by Laura Kressly

We may not be living in a war zone, but everyday life is a series of battles to be won or lost. These tiny fights may be life or death in the moment, but can feel silly, meaningless or absurd from an outsider’s perspective. This isn’t lost on Mikhail Durnenkov, who presents a sample of vignettes addressing problematic aspects of modern life, from mobile phone overuse to airport security.

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Eggs Collective Get a Round, Edinburgh Festival Fringe

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Eggs Collective are after the #bestnighteva with this joyful show modelled on the great British night out. Gold sequinned dresses, blue eyeshadow, and WKD by the bucketload are vital ingredients of this playful tribute to one of this country’s most venerated institutions.

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The Pulverised, Arcola Theatre

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Does anyone really win under capitalism? Alexandra Badea’s The Pulverised doesn’t think so. Even though those near the top of the pyramid living jetsetting lifestyles and rolling in cash might live comfortable lives, they are still left feeling broken and hollow. The french play, here translated into English by Lucy Phelps, is a pacy account of four victims of globalisation on different levels of the supply chain.

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