Ladykiller, Pleasance

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by Amy Toledano

Ladykiller by Madeline Gould is a grizzly dark comedy that turns the patriarchy on its head with its feminist theme. Produced by the Thelmas and directed by Madelaine Moore, this one-woman show leaves audiences tingling with fear from beginning to end and wondering if everything is really as it seems.

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Plaid Tidings, Bridge House Theatre

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by Laura Kressly

A wholesome guy group from the 1950s with dreams of superstardom died in a bus crash before they could make it big. But for some inexplicable reasoning, a little-discussed deity gives them one more shot at fame. Plopped in front of an expectant audience seeking Christmas cheer, the Plaids muddle through their posthumous encore. Though the story is utterly baffling, the four performers have heaps of holiday charm.

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Spring Awakening, Stockwell Playhouse

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by Amy Toledano

Held holy by many musical theatre enthusiasts, Spring Awakening is about the turmoil and angst of growing up. The pain of self-discovery and the frustrations at growing up rapidly, and still being treated as a child by the adults around you, are one of its primary themes. And while The British Theatre Academy did their best to relay this to their audience, unfortunately they only remained at a surface level – it never really goes to the dark and vulnerable places that this show so desperately requires to make an impact.

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Testosterone, VAULT Festival

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by Meredith Jones Russell

Testosterone is an explosive, energetic, riotous exploration of all things male, asking what exactly it means to be a man.

Rhum and Clay Theatre Company has teamed up with Kit Redstone, who wrote the play based on his own experiences as a trans man, and stars as himself. We meet him as he prepares to walk in to that bastion of machismo – the men’s locker room at the gym – for the first time.

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The War Has Not Yet Started, Southwark Playhouse

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by Laura Kressly

We may not be living in a war zone, but everyday life is a series of battles to be won or lost. These tiny fights may be life or death in the moment, but can feel silly, meaningless or absurd from an outsider’s perspective. This isn’t lost on Mikhail Durnenkov, who presents a sample of vignettes addressing problematic aspects of modern life, from mobile phone overuse to airport security.

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Eggs Collective Get a Round, Edinburgh Festival Fringe

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Eggs Collective are after the #bestnighteva with this joyful show modelled on the great British night out. Gold sequinned dresses, blue eyeshadow, and WKD by the bucketload are vital ingredients of this playful tribute to one of this country’s most venerated institutions.

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