I Hear You and Rejoice, Tricycle Theatre

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by guest critic Maeve Ryan

I Hear You And Rejoice is a tribute to the power of the single storyteller.  Lighting, costume and staging are simple, revealing the power of the skilled actor. The result is a joyful play full of sentimentality that is also hugely funny.

This is the followup to the much-loved The Man In The Woman’s Shoes, also written and performed by Mikel Murfi. Both plays began their journey following a research period  interviewing older people in Murfi’s native Sligo. Having performed the play back to the very people he had interviewed for inspiration, The Man In The Woman’s Shoes debuted at The Hawkswell in Sligo. It has since toured extensively to audiences at home and abroad.

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The Enchanted, Bunker Theatre

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York and Arden are two men on America’s death row waiting to die. An investigator, known to the prisoners as The Lady, works night and day to save their lives. The similarly unnamed chaplain does the same to save their souls. As the two piece together the pasts of the men about to meet their deaths, a physical theatre ensemble and extracts from Rene Denfeld’s poetic novel The Enchanted creates a dreamlike, romanticised view of poverty-stricken rural America and the killers it breeds.

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35 Amici Drive, Lyric Hammersmith

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Council block 35 Amici Drive and the pub attached to it are earmarked for demolition. Luxury flats and commercial retail units will replace it, and plans to rehouse current residents are vague. Money-grubbing developers and local counsellors push for “positive change” but those who live there are having none of it.

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Identity Crisis, Ovalhouse

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Phina Oruche has had an extraordinary career. Growing up in Liverpool to Nigerian parents and desperately wanting to see more of the world, she let her best friend Amy talk her into doing a modelling photoshoot as a teenager. Soon she found herself living and working in London, then New York and LA. Eventually tiring of the high fashion world and feeling the pull of her home, she moved back to the UK where he career led her firmly into the film and telly world. Now a mum and conflicted about the cultural pushing and pulling on her life, she examines who she really is the self-penned Identity Crisis. The punchy tapestry of characters and experiences has messy and confusing moments and no clear resolution or story, but it’s brimming with heart and life.

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The Pulverised, Arcola Theatre

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Does anyone really win under capitalism? Alexandra Badea’s The Pulverised doesn’t think so. Even though those near the top of the pyramid living jetsetting lifestyles and rolling in cash might live comfortable lives, they are still left feeling broken and hollow. The french play, here translated into English by Lucy Phelps, is a pacy account of four victims of globalisation on different levels of the supply chain.

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Coulrophobia, Greenwich Theatre

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by guest critic Rebecca JS Nice

Pickled Image Theatre work with John Nicholson to produce and write Coulrophobia, which has been touring on and off for seven months. Coulrophobia – Two Clowns Trapped In A Cardboard World is performed by Dik Downey (company director) and Adam Blake. The tragic twosome pull out a series of cardboard puppets as they frolic about a set full, but not quite full enough, of cardboard boxes.

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