Elephant in the Room, Camden People’s Theatre

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by Laura Kressly

What’s your anxiety like? For Michael, he feels stuck to the spot, unable to force himself to keep walking or to get out bed, or put on his hoodie. He knows he needs help but when he tries to discuss his worries with his friends, he is laughed at, brushed off or told to toughen up. Lost and alone, his struggles are captured in this physical, solo performance that gives a detailed perspective on the helplessness, expectations and daily struggles of a man struggling with mental health issues.

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A Clown Show About Rain, Vault Festival

by Romy Foster

Silent Faces’ new show brings harmony between goofiness and grief. Their playfulness is infectious and the audience can’t help themselves but to giggle at the absurdity (and tea!) being fed to them over the hour.

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Bon Voyage Bob, Sadler’s Wells

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by Laura Kressly

I’m going to go out on a limb and state than any performance lasting three and a half hours should be good. At a minimum – if it has a name like Pina Bausch’s attached it should be much better than good. It should be complex, groundbreaking and innovative.

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Welcome to the UK, Bunker Theatre

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by Laura Kressly

It seems like the Bunker has been transformed into a small-scale, DIY circus, setting the mood for a playful and uplifting story. Instead, an ensemble of 16 enacts a series of grotesque and infuriating sketches depicting refugees’ and asylum seekers’ experiences navigating the UK’s racist and classist ‘Hostile Environment’.

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The War of the Worlds, New Diorama Theatre

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by Laura Kressly

Orson Welles’ 1938 broadcast of The War of Worlds caused widespread panic with its reports of an alien invasion in New Jersey. Or did it? Did the newspapers exaggerate the reaction to sell papers, the way websites now use clickbait for hits?

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