Anansi the Spider, Unicorn Theatre

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by Laura Kressly

They say that a long time ago animals could talk, just like people do now. Anansi the spider was the smartest of all these ancient creatures, and used his intelligence for all sorts of nefarious aims. His legacy of scheming lives on as a collection of stories from West Africa to the Caribbean. This new production presents three of them where the mythical trickster isn’t always the nicest, but directed by Artistic Director Justin Audibert for 4-7 year-olds, they are engaging morality tales with music, interaction and excellent performances.

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Ladylike, Arcola Theatre

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by Nastazja Somers

Casa Festival, London’s largest Latin American arts festival is an annual event that is not
to be missed. Some of the most groundbreaking and refreshing work I’ve seen in my 8 years in London was staged at Casa, including the incredible, heart-stopping 2017 production of Mendoza, a Mexican adaptation of Macbeth. British theatre reflects British society so to say a resistance to staging international work is quite present would be an understatement.

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Elephant in the Room, Camden People’s Theatre

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by Laura Kressly

What’s your anxiety like? For Michael, he feels stuck to the spot, unable to force himself to keep walking or to get out bed, or put on his hoodie. He knows he needs help but when he tries to discuss his worries with his friends, he is laughed at, brushed off or told to toughen up. Lost and alone, his struggles are captured in this physical, solo performance that gives a detailed perspective on the helplessness, expectations and daily struggles of a man struggling with mental health issues.

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Bon Voyage Bob, Sadler’s Wells

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by Laura Kressly

I’m going to go out on a limb and state than any performance lasting three and a half hours should be good. At a minimum – if it has a name like Pina Bausch’s attached it should be much better than good. It should be complex, groundbreaking and innovative.

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Welcome to the UK, Bunker Theatre

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by Laura Kressly

It seems like the Bunker has been transformed into a small-scale, DIY circus, setting the mood for a playful and uplifting story. Instead, an ensemble of 16 enacts a series of grotesque and infuriating sketches depicting refugees’ and asylum seekers’ experiences navigating the UK’s racist and classist ‘Hostile Environment’.

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