River in the Sky, Hope Theatre

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By Laura Kressly

Waves quietly break along the beach outside a remote holiday home. A woman drinks Earl Gray, eats biscuits and mourns her infant son. Her husband checks on her regularly, but within the icy sea of debilitating grief, they’ve lost the ability to communicate other than through fantastical stories of mythical creatures. Time all but stops in this sparsely-written series of snapshots depicting a couple trying their best to piece their lives together after a tragedy.

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Sex Education, Edinburgh Festival Fringe

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by Meredith Jones Russell

A mixture of confessional monologues, recorded interviews, dance, music, and a hefty smattering of hardcore porn, Harry Clayton-Wright’s deliberately shocking, no-holds-barred, one-man show attempts to address how we learn about sex and how that education informs our wants, needs and desires for the rest of our lives.

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Lobster, Edinburgh Festival Fringe

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by Laura Kressly

Modern dating for straight women is a horror show of dick pics, ghosting, casual sex, stealthing, quashed hopes and heartbreak. Yet Polly keeps at it, convinced she’ll eventually find her lobster – a baffling and tasty creature that will commit to her for life. Fragile and fresh out of a relationship with a guy she thought was the one, she enthusiastically dips her toe back into dating in this cheerful account of her hunt for The One.

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A Rundown of the Roundabout: Six Shows in the Paines Plough Programme, Edinburgh Festival Fringe

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by Laura Kressly

The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong. From a family musical to a one-man show about a stalker, and everything in between, there is a great selection of shows for audiences looking for new work in a great venue that tours around Britain.

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Pops, Edinburgh Festival Fringe

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by Laura Kressly

A young woman unceremoniously returns to her family home, where her dad watches cooking shows on repeat and listens to battered cassettes on a boom box that’s probably older than she is. She looks worn and fatigued, though promises she’ll only be there as long as it takes her to get back on her feet. He doesn’t really listen.

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