Orpheus, Battersea Arts Centre

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by Laura Kressly

All of Little Bulb’s work I’ve seen has been thoroughly infused with joy. Though this story ends in loss and grief, their Parisian cabaret-style Orpheus is no different.

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Feature | Top Ten Shows of 2018

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by Laura Kressly

Growing global discontent has been the hallmark of 2018, and 2019 is looking even worse. The last few years have marked a rise of the far-right, but theatremakers in opposition are letting audiences know it from the stage. Some of the best shows of this year show anger, fear, uncertainty or simply let the world know that enough is enough – it’s time for a fairer, more peaceful society that pays homage to all of its people.

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Rendezvous in Bratislava, Battersea Arts Centre

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by Nastazja Somers

Born in 1913 in Koscice, Slovakia, Ján Ladislav Kalina was a man of theatre and art. He
lived the bohemian life that young people in Eastern Europe romanticise when they get lost in the works of Milan Kundera. Jan is Miriam’s grandfather, and in many ways his story, is that of my grandfather too. Miriam is a theatre-maker. Rendezvous in Bratislava is her ode to what’s lost and what’s remembered.

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Paper Cinema’s Macbeth, Battersea Arts Centre

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By Laura Kressly

I’m a sucker for inventive adaptations of Shakespeare plays, so Paper Cinema’s Macbeth, a live-action, silent movie version, is hugely appealing. For 90 minutes a team of five use handheld cameras, desk lamps and hand-drawn illustrations to broadcast the story in visual form onto a large screen. Accompanied by a Celtic-inspired, cinematic score, this graphic novel/stop motion/object manipulation telling is enchanting – until I ask my companion, a Dutch woman who doesn’t know Macbeth, what she thought. 

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Adam, Battersea Arts Centre

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By Laura Kressly

Adam Kashmiry is a man that was born in Egypt in a woman’s body. From a young age, he knew his soul didn’t align with the gender he was assigned at birth, but it wasn’t until he discovered the internet as a teenager that he found a word for this.

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How to Survive a Post-Truth Apocalypse, Battersea Arts Centre

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by guest critic Amy Toledano

Francesca Beard delves into the complex subject of truth and looks at how it could be perceived in a post-apocalyptic world. Using spoken word (which Beard is clearly a pro at) as well as song and multimedia imagery, the audience takes a journey with their Shaman and guide Francesca who hopes to lead them to the real meaning of truth.

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