She Sells Sea Shells, Edinburgh Festival Fringe

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by Laura Kressly

Mary Anning was a working class fossil hunter from Lyme Regis. She and her dad would sell their finds to the posh, Victorian collectors who wanted to horde artefacts without digging them out of the cliffs themselves. She became known as one of the best fossil hunters in the country, but her discoveries of new dinosaur species and their impact on science were, of course, attributed to wealthy men.  Now, about 200 years later, Mary’s tired of being ignored – so she hijacks a lecture about her work.

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Have I Told You I’m Writing a Play About My Vagina?, Edinburgh Festival Fringe

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by Laura Kressly

Bea wants to get drunk and get laid, as often as possible and with no strings attached, but she has a problem. Whenever anything tries to enter her vagina, it hurts. A lot. It’s like her vagina closes up and throws a tantrum about the probing finger, penis or sex toy, and it’s ruining Bea’s life. In Ella Langley’s tentative but hopeful new play on living with and overcoming Vaginismus, Bea’s vagina is suitably personified and Bea must get Vag to trust her again.

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Seven Methods of Killing Kylie Jenner, Royal Court

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by Romy Foster

Kylie Jenner has just been announced as the world’s first ‘self-made billionaire’ and Cleo is VEX. Feeling this is undeserved, she has launched a tirade of tweets from her anonymous Twitter account @Incognegro about how to kill a social media entrepreneur or, as Cleo thinks of her, a ‘con artist-cum-provocateur’. She is now shut in her bedroom receiving persistent whatsapps from best friend Kara, who is worried about Cleo’s online rant.

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Exceptional Promise, Bush Theatre

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by Laura Kressly

1. What is ‘Exceptional Promise’?
a. Another name for a UK Tier 1 visa
b. An interactive game show-slash-performance piece
c. A critique of the cesspit that is London’s housing market
d. All of the above

If you answered ‘D’, then you win! You’re one step closer to getting the keys to your dream house. But first – you need to survive the rest of the rounds and beat your other two opponents, otherwise you’re doomed to dodgy landlords and housemates forever.

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Woke, Battersea Arts Centre

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by Laura Kressly

After graduating from City College of New York in the 1960s, Assata Shakur joined the Black Panther Party. In 2014, after enrolling at Washington University in St Louis weeks after unarmed teenager Michael Brown was killed by a white police officer in the same city, Ambrosia starts going to Black Lives Matter rallies. Moved by injustice decades apart, the two Black women are subjected to systemic racism and violence in their pursuit of freedom. Apphia Campbell performs them both, embodying their passion and anger through storytelling and song, in this lightning-strike of a show.

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J’ouvert, Theatre503

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By Laura Kressly

Over the August bank holiday weekend, people of West Indian heritage have been celebrating their history and culture in the face of racial oppression since the 1960s. Bright colours, elaborate costumes, loud music, dancing, and lashings of rum mark the Carnival that’s now one of the largest in the world. In her female-led, debut play taking place over a day at Notting Hill Carnival, Yasmin Joseph pays homage to the people, young and old, that make up the event’s vibrant landscape and give it its soul.

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Are There Female Gorillas?, Camden People’s Theatre

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by Laura Kressly

The patriarchy has a lot to answer for, including what must be a ridiculous profit margin for the hair removal industry. Women have had it drilled into them, both explicitly and subconsciously, that having body hair is ugly and dirty. So we wax, shave, epilate, thread and laser ourselves to smoothness – and ingrown hairs, razor burn, and expense. Gorilla, the alter-ego of Girl, is sick of it.

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