Girls & Boys, Royal Court

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by Laura Kressly

A woman stands on a pastel blue stage and starts at the beginning. She tells us a love story – how she met a man in an airport, fell in love and built a life with him. Great jobs, a family, a house, the full works. It’s perfect. Until it’s not.

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Mission Abort, VAULT Festival

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by guest critic Serena Ramsey

One in three women will have an abortion at some point in their life. The chances are excellent that you know someone who has had one, but being such a taboo subject, we are conditioned to not discuss it.

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The Internet Was Made for Adults, VAULT Festival

by guest critic Joanna Trainor

A cabaret, but also Tinder, and a break up, sending nudes, watching porn for the first time and embracing or fearing female sexuality. The Internet was Made for Adults squashes a few too many storylines into one 70-minute show, some of which have almost nothing to do with the internet at all. Individually they would all make interesting and important subjects for a play, but crammed together it’s too disjointed to really
enjoy.

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Mary Stuart, Duke of York’s Theatre

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by guest critic Kudzanayi Chiwawa

Heads or tails – with the flip of a coin, on this evening, Juliet Stevenson is Elizabeth I and Mary Stuart is portrayed by Lia Williams.

The play opens with urgency, the stakes are high and the rhythm throughout doesn’t let up. It’s exhilarating. Williams commands the stage like a beautiful beast, burdened by captivity. We know how history reads for these two women, but the battle waged on stage, makes you wonder how will it end.

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