Drip Feed, Soho Theatre

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by Maeve Campbell

Karen Cogan begins her one-woman show floppy and lifeless looking, slumped over a grubby sofa bed. This is an uncomfortable image to pre-show chat in front of and it sets the mood for the proceeding work. Drip Feed is Brenda’s story, a ‘youngish’ queer woman living in Cork, inhabited by insular, parochial and judgemental residents. Brenda, though, is ‘part of the furniture’ of the city, but seems both in love with and restricted by it.

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Underground Railroad Game, Soho Theatre

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by Gregory Forrest

The New York Times listed Jennifer Kidwel and Scott R Sheppard’s razor-sharp comedy
as one of the 25 best plays since Angels in America. Like a role-play game that gets
completely out of hand, it’s easy to see why.

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Fabric, Soho Theatre

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by Laura Kressly

Leah loves life. She works in a Saville Row shop and shares a flat with her best mate. It gets even better when she meets Ben Cavendish, a new customer at work, and things starts turning into a real-life fairytale. But real life isn’t a fairytale – awful things happen and endings aren’t always happily ever after.

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The Political History of Smack and Crack, Soho Theatre

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by Laura Kressly

Mandy and Neil have known each other since they were kids. They grew up in Manchester’s Moss Side in the 80s and 90s, watching the streets burn in the riots then be flooded by drug dealers hawking heroin. There’s hardly been a time where drugs weren’t a part of their lives.

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With Child, Soho Theatre

by guest critic Maeve Campbell

Clare Pointing’s With Child isn’t actually about pregnancy. Facing a show that’s billed as six ‘talking heads’ style monologues delivered by six pregnant characters feels dauntingly alienating when you only know or care a little about trimesters or nursing plans. But thankfully, none of these themes are focused too heavily upon in Pointing’s perceptive, nuanced one woman show.

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Flesh and Bone, Soho Theatre

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by guest critic Amy Toledano

This tour-de-force of a show is a love letter to the last of the East End geezers and birds alike who, just like everybody else, want to live their lives the way they please, free from societal pressure and judgement. Written, directed and performed by the brilliant Elliot Warren and Olivia Brady, the story has been brought to life through many a real life experience, as they detail the grit, violence and love they dish out and take in everyday.

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