Half Breed, Soho Theatre

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by guest critic Maeve Ryan

In her small Wiltshire village, Jaz says she’s ‘as black as it goes’.  This is a beautifully made one woman show in which Natasha Marshall plays all the characters, but chiefly Jaz, a 17-year-young woman of mixed African and British parentage. Half Breed concerns self-identity and how self-acceptance can be the root to accepting others.  It also concerns the deep intensity of young female friendship, for it is also a love story between Jaz and her best friend Brogan.

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Submission and Sarah, Sky and Seven Other Guys, Edinburgh Festival Fringe

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A British Pakistani Muslim tries to reconcile his faith and family with his love of men and clubbing.

A gay guy and his straight female bff share a flat, a mutual adoration for classic films and the occasional man.

Liver & Lung Productions’ two new plays, whilst needing further development, look at two issues that queer men of colour face. Submission is the stronger of the two works, though Sarah, Sky and Seven Other Guys includes a mix of serious and light-hearted material.

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Heather, Edinburgh Festival Fringe

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Harry receives a children’s book manuscript from an unknown writer, Heather Eames. Impressed, he wants to discuss an advance, rights and making her book the Next Big Thing, but Heather’s based outside of London, heavily pregnant and ill. It doesn’t really matter that they can’t meet in person, so they move forward with negotiating. Three books, several films and endless merchandise later, the public are desperate to meet this mysterious author. But she still refuses to meet her publisher or her fans. Harry pushes and pushes until the truth is revealed.

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Girl From the North Country, Old Vic

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In Duluth, Minnesota, ships, trains and buses come and go under a sweeping midwestern sky heavy with snow. It’s 1934, the height of the Great Depression. A desperate, drifting populace chase the shadows of their debtors and rumours of work in and out of the port city.

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Bechdel Testing Life, The Bunker

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Women don’t always talk about men.
Women don’t always talk about men.
Women don’t always talk about men.

It bears repeating because it’s often forgotten, ignored or not believed. Popular culture is particularly deaf to the sentiment, and theatre still likes to rely on this inaccurate gender trope. Whilst this has been slowly changing for some time, particularly on the fringe, it’s still a problem.

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Dominoes, Tara Theatre

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There’s a database where you can look up the size of reparations paid to slave owners after slavery was abolished. In Dominoes, History teacher Leila and her fiancé Andy share the same last name – McKinnon. Andy’s white and Scottish, Leila’s half black-Caribbean. When curiosity gets the better of her in the run up to their half term wedding, she makes a discovery that pits family and friends against each other and threatens to destroy her big day.

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