By Laura Kressly
Imagine the world without the technological advances of the last few decades. No mobile phones, no internet, no ipods. Just Walkmans and two-way radios and clunky TV sets – but the political landscape is still the same. Where will all the incels gather without reddit?
by guest critic Amy Toledano
Boxman by Daniel Keene is the story of Ringo, a former child soldier, now homeless man living in a box on the inner city streets of London. Reflecting on race, culture and the struggles faced by many immigrants who come to the UK searching for a home, Boxman examines what it means to be lost, lonely and forgotten.
by an anonymous guest critic
An evening of spectacular performances depict the true story of New York’s first jazz club, Cafe Society, run by immigrants and allowed black and white audiences to integrate. The club’s audiences watched the most talented performers of their time, including Billie Holiday, who gave her first performance of harrowingly beautiful lynching song ‘Strange Fruit’ there.
by guest critic Maeve Campbell
On entering a seven-hour long production one might ask the following questions: will I understand the plot, will I be able to sit through it for the duration and will it be worth the plane journey, holiday costs and copious amounts of pilsner consumed over the weekend? The answers are no and no but, to the last question, a resounding yes. Directed by the controversial Frank Castorf, famously ousted as leader of the Volksbühne theatre after nearly fifteen years of service, this production is his swan-song. Castorf’s previous work has been described as ‘deliberately incoherent’, and this Faust does not disappoint.
by Laura Kressly
Ruffrino is a revolutionary. With a rucksack full of equipment and signs, he’s ready to wake up the sleeping masses to the plight of black people in America.
by guest critic Hailey Bachrach
Ignace Cornelissen’s Henry the Fifth, which was at the Unicorn Theatre in 2015, remains one of my favourite versions of that play ever. Setting King Henry’s French wars in a sandbox, Cornelissen simplified without dumbing-down the central themes of Shakespeare’s play.