Ladylike, Arcola Theatre

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by Nastazja Somers

Casa Festival, London’s largest Latin American arts festival is an annual event that is not
to be missed. Some of the most groundbreaking and refreshing work I’ve seen in my 8 years in London was staged at Casa, including the incredible, heart-stopping 2017 production of Mendoza, a Mexican adaptation of Macbeth. British theatre reflects British society so to say a resistance to staging international work is quite present would be an understatement.

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The Glass Menagerie, Arcola Theatre

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By Laura Kressly

In 1930s St Louis, Missouri, housing laws ensured black people and white people lived in separate neighbourhoods. Racial inequality was rife and the city as a whole, like the rest of the US, was suffering the effects of the Great Depression. The Wingfield family are no different – living in a tenement apartment, Amanda and her grown children, Tom and Laura, struggle to make ends meet. Stress, worry and resentment drives wedges between them, creating a tension stoked by Tennessee William’s exquisite language. In this production directed by Femi Elufowoju Jr, the Wingfields are black, so their dreams and aspirations are all the more devastatingly unreachable when contexualised by the segregation of the day.

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The Daughter-in-Law, Arcola Theatre

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by Laura Kressly

Men are immature and women are cruel.

With this damning premise, D H Lawrence condemns straight couples to lives of vengeful misery. Minnie and Luther are newlyweds, but the cold viciousness of married life has already sunk its claws in. Both feel trapped. Luther’s lack of ambition to progress in his job down the coal pits winds up Millie, who just wants him to love her as much as he loves his mother.

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All the Little Lights, Arcola Theatre

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by guest critic Gregory Forrest

Hilarious and heart-breaking in equal measure, Jane Upton’s work is a darkly realistic shock to the system. Nominated for Best Play at the Writers’ Guild of Great Britain Awards 2017 and joint winner of the 2016 George Devine Award, All the Little Lights is an astonishing achievement.

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Thebes Land, Arcola Theatre

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A playwright wants to write a play about patricide, but with an actual criminal onstage instead of an actor. Initial research leads him to a young man called Martin Santos, serving consecutive life sentences in Belmarsh for killing his father. As weeks pass and the two men get to know each other, stereotypes and expectations are upended in this moving story of masculinity, violence and theatre.

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The Marriage of Kim K, Arcola Theatre

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by guest critic Maeve Campbell

In 2011 Osama Bin Laden was killed, Pope John Paul II was beautified, and Kate and Wills tied the knot. Nearly as many people watched another televised wedding that year  as a new reality-TV religion swept the globe. This is where The Marriage of Kim K, a new opera penned by Leoe Mercer and Steven Hyde, begins.

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