Post Popular, Soho Theatre

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by Laura Kressly

I feel for the stage manager that has to coordinate the clean-up after this show. Soil, leaves, ketchup, chocolate wrappers, cherry bakewell crumbs, fake flowers and bodily fluids are everywhere. Lucy McCormick is certainly the queen of filth. She’s also ruler of the absurd, grotesque and biting social commentary. Though her previous show Triple Threat is more sophisticated than this one, comedy and vulgarity join forces as McCormick chronicles history’s strong women in the hopes of finding herself a hero.

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Amatory Asylum, The Wellington Club

by Archie Whyld

Founder and director of House of Kittens, Sophie Cohen, has created a show which promises an erotic exploration into the world of unusual sexual obsessions such as objectophilia (sexual attraction to inanimate objects) or dendrophilia (love of trees – taking tree hugging to whole new level).

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Landscape (1989), VAULT Festival

by Joanna Trainor

Please, you’ve got to stop eating the floor mushrooms!

It’s 1989 in Oregon. Political scientist and author Francis Fukuyama has declared it the “End of History” as the Berlin Wall is pulled down and the Cold War is finished. And in the Malheur National Forest in Oregon, mushrooms are popping up all over the place.

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Sh!t Theatre’s Original Sing-a-long-a Muppets Christmas Carol, Bush Theatre

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by Maeve Campbell

If you only go to one Muppet’s Christmas Carol sing-a-long this year make it Sh!t Theatre’s. Goody bags, whiskey and raucous jokes are all provided as we’re escorted through the movie by the charming Biscuit and Mothersole, whose witty subtitles only enhance this festive celluloid masterpiece.

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Paid Fantasist, Camden People’s Theatre

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by Maeve Campbell

There is so much to like about Biscuit and Field’s new show Paid Fantasist. Rebecca Biscuit (one half of Sh!t Theatre) and Nick Field are a charming, new double-act. They employ a fantastically kitsch science-fiction disco soundtrack, enviable gold lame and an impressive Kate Bush impression. The most intriguing thing, though, is the 1978 Times article at the centre of the piece, ‘A Life in the Day of Tom Baker.’

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