Double Trouble, Intermission Youth Theatre

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It can be tough to get kids to engage with Shakespeare. Many of them see the foreign-sounding language and old-fashioned stories as irrelevant to the issues they battle as growing up today. Fortunately, Intermission Youth Theatre artistic director Darren Raymond focuses on exploring contemporary themes in Shakespeare’s work with the 16-25s that make up the theatre company and convinces them to love the Bard.

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Mendoza, Southwark Playhouse

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by guest critic Nastazja Somers

A Shakespeare expert, friend of mine always says, “I love Shakespeare but I hate watching it, most of the time it bores me”. And isn’t it the truth? I get to see a lot of the Bard’s plays and most of the time I leave theatres feeling uninspired and craving a surprise. I yearn for Shakespeare productions that will move audiences whilst placing them in a centre a collective experience.

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Coriolanus, Rose Playhouse

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by guest critic Gregory Forrest

The Rose is a unique venue: part studio theatre, part archaeological dig. Taking your seat to begin the performance, you are met with a cool breeze of black. Some sense of space exists around you, yet is imperceptible. Then, as the play begins, you are suddenly met with lights and depth and a sheer drop to a still underground lake. For this moment alone, The Rose is worth a look.

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Monster, Edinburgh Festival Fringe

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I didn’t have any particular expectations from Joe Sellman-Leava’s new play on male violence. But I am joyfully surprised by an opening montage of rapidly-delivered Shakespeare, ranging from Othello to Taming of the Shrew. Disarmingly vicious in its delivery, this scene snaps into an audition for a play, then a house in Exeter, then the video research material for Joe’s character, and back again.

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Changelings, Edinburgh Festival Fringe

Mowgli, a ferocious boy-child raised by wolves in the jungle, has been kicked out of the pack. He’s trying to figure out what to do next when he meets a mysterious creature from another world – or rather, another story. Puck has been watching Mowgli with unusually keen interest, so the two might be able to help each other out.

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Hamlet, Harold Pinter Theatre

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Hamlet may or may not be Shakespeare’s magnum opus, but the Dane is unquestionably one of the greatest roles in the English language. Theatre’s pop star Robert Icke, what with his reputation for hot takes on the classics, no doubt found the play’s allure irresistible. This Hamlet, freshly transferred to the West End from the Almeida, is a slick, beast of a production surpassing three hours. Undeniably contemporary, it does its best to smash the restrictions of the proscenium arch with a celebrity cast and achingly cool, Scandi/corporate design. His casting of Andrew Scott in the title role and subsequent character choices makes this a Hamlet for cool young people on the hunt for profundity, depth of meaning and instagrammable aesthetics.

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