A Lesson From Aloes, Finborough Theatre

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by Laura Kressly

Peter and Gladys pass their days tending potted plants and journaling. Life is quiet as they reflect on their lengthy pasts, stretching out behind them like toxic shadows. Neither are happy in their shabby, all-white suburb tense with apartheid-era legislation, but a visitor that evening may just be the thing they need.

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Plaid Tidings, Bridge House Theatre

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by Laura Kressly

A wholesome guy group from the 1950s with dreams of superstardom died in a bus crash before they could make it big. But for some inexplicable reasoning, a little-discussed deity gives them one more shot at fame. Plopped in front of an expectant audience seeking Christmas cheer, the Plaids muddle through their posthumous encore. Though the story is utterly baffling, the four performers have heaps of holiday charm.

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Gilded Butterflies, Hope Theatre

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by Amy Toledano

There have been several different mediums focusing on the story of the female prisoner, especially from the US and Gilded Butterflies, while following this same theme, pays particular attention to the prisoner herself. It gives her story a voice and allows for a deeper understanding of her perspective. This two-hander is a lovely exploration of not believing everything you hear.

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Baby, Drayton Arms Theatre

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by Amy Toledano

Baby by MKEC Productions follows a year in the life of three couples as they experience the world of childbirth, from their struggles with conception, to difficulties in their relationships and within themselves as individuals. This talented cast does their best with this dated book and ideas, and attempts to bring the 1983 Broadway hit into the 21st century.

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Beauty and the Beast, King’s Head Theatre

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by Amy Toledano

Fat Rascal Theatre Company has created magic in their gender-swapped, musical parody of Beauty and the Beast. This show offers an interesting look at the ideologies behind most classic fairy tales and quite literally turns it on its head with a sharp book, catchy score and brilliant performances.

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The Art of Gaman, Theatre503

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by Laura Kressly

Tomomi stands on the prow of a ship with arms flung open, ready to embrace a new life as a Hollywood actress. There’s something of Kate Winslet in Titanic about her unfaltering determination and hope – and that seminal pose, of course. When an older man disturbs her quiet reflection on the fish feeding below the water’s surface and her need for acting compared to their need for water, her destiny is forever altered.

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