Flutter, Soho Theatre

by guest critic Maeve Campbell

Heading home from the Soho Theatre after watching Justin Hopper’s Flutter, it was striking to see crowds of people, mainly men, congregate outside the huge Hippodrome Casino that faces Leicester Square station. The detailed interior of the Grosvenor betting shop, immaculately imagined in the Soho upstairs space, had impressed, but felt rather distant from the location of the playing space. Now facing these worshippers to the church of gambling, it seems such snobberies were ignorantly informed. The play’s press describes it as “a love-letter to the high street bookies”. This love is a dark one though, rapidly told in this hour and a half melodrama.

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Bingo, Pleasance Theatre

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by guest critic Amy Toledano

Bingo hits you right where it hurts in this one-man comedy show at The Pleasance Theatre. With its mile-a-minute comedy stylings and all-too-relatable references to the difficulties of being an artist in London, Bingo with have you gasp-laughing the entire time.

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The Unbuilt City, King’s Head Theatre

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by Laura Kressly

Claudia is a reclusive collector whiling away the time in her Brooklyn Heights townhouse overlooking the East River and lower Manhattan. Jonah is a young writer day jobbing for his old university’s academic archives. He’s been sent to see if Claudia has a priceless item, long thought lost, hidden away in her home. As her life approaches it’s midnight hour, she is desperate to cling to the last thing that gives her some power and Jonah is desperate to win this commission which would financially secure his immediate future.

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San Domino, Tristan Bates Theatre

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by guest critic Gregory Forrest

I really wanted to love this.

A new musical about gay men under Mussolini (politically, if not physically) sounds so exciting. Silvio Berlusconi’s claim that ‘Mussolini never killed people, just sent them to holiday camps’ brushes off the dark reality of imprisonment, violence, and unrecorded deaths. Yet by clearing out the closet, government officials gave gay men in particular the freedom to live openly and form tentative relationships in their Mediterranean exile. It was a queerly liberating sea breeze.

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Long Day’s Journey into Night, Brooklyn Academy of Music

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by guest critic Steven Strauss

On its surface, the title Long Day’s Journey into Night describes the looooong four acts it takes Eugene O’Neill’s play to chronicle the story of one day-into-night in the life of the Tyrone family. Metaphorically, it suggests how the play utilizes this micro-slice of life to depict how this autobiographical family descends from the daylight of sanity to the darkness of madness in a macro sense, and how their projected reality in the sunlight of day masks the true darkness of night lingering underneath. 

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Left My Desk, New Diorama Theatre

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by Laura Kressly

Becca gets to work at the local council and is immediately bundled into a police car. She’s not in trouble, but one of the people on her caseload is. She and her colleague Craig go to hospital to see a little girl that ‘fell out of bed’. Or to a shelter to meet with a young woman who is pregnant and addicted to huffing hairspray. Or to a school to check on a teenager being groomed by drug dealers. Every day she fights for their safety within a system on the brink of collapse. But how long can she go on like this?

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Blueberry Toast, Soho Theatre

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by an anonymous guest critic

We open on a stereotypical, modern American kitchen where wife Barb (Gala Gordon) is busying herself. When her husband Walt (Gareth David-Lloyd) comes down for breakfast, she attempts to make him something extra special: blueberry toast. Walt refuses the dish, insisting that he never asked for it and that what he really wanted was blueberry pancakes.

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