Faces in the Crowd, Gate Theatre

Image result for faces in the crowd, gate theatre

by Laura Kressly

A woman informs us that storytelling needs a sustained breath. She’s then interrupted by a crying baby, a young boy who wants her attention, and a husband who points out both but makes no attempt to help. The unnamed translator, who may or may not have lived in New York, now lives in Mexico City. Her days that – remembered or imagined – were once filled with reading and writing, nights out, casual sex and music, now consist of nappies, playtime and housework.

Continue reading

Smoke Weed Eat Pussy Everyday, Camden People’s Theatre

Image result for smoke weed eat pussy everyday, camden people's theatre

by Laura Kressly

Chloe Florence lives her life by a couple of key principles: smoke weed and eat pussy everyday. Along with drugs, Tinder dates and all-night raves, these keep her busy. They are also powerful and necessary distractions from homelessness, which she has been since she was 17. She shares anecdotes about her experiences partying, sex and staying safe in this rough and ready, music-infused, autobiographical monologue about her lived experience as a queer homeless woman. Though the piece takes some time to gain momentum, the latter half is an unstoppable, unapologetic roar.

Continue reading

Fix, Pleasance Theatre

Image result for the fix, pleasance theatre

by Laura Kressly

Kevin arrives at his last call-out for the day, a dilapidated house in the middle of a forest near where he grew up. Li Na presents him with a washing machine that no longer spins, but as Kevin attempts to repair it, there are obvious hints that the machine isn’t the only thing that’s broken. Intertwining mythical and personal histories, Julie Tsang’s horror story is a compelling blend of the supernatural and the real.

Continue reading

Antigone, New Diorama

Image result for antigone, new diorama

by Laura Kressly

In 2018, Lulu Raczka’s A Girl in School Uniform (Walks into a Bar) showed her talent for writing compelling, teenage girl characters. In a world that’s so keen to criticise and dismiss young women and their interests and emotions, Raczka’s writing legitimises them. By putting them in life-or-death scenarios, she shows they are empathetic and capable of making huge decisions that shouldn’t be made by anyone other than those much older than them, but they can still like boys and partying. This two-person take on Antigone zooms in on young sisters Ismene and Antigone, social outcasts due to actions by others in their family and who are forced to grow up much too quickly.

Continue reading

Feature | Favourite Theatre Moments of 2019

Image result for my favourite things julie andrews

by Laura Kressly

Determining a Top 10 has become increasingly troublesome what with the amount of work reviewed by guest critics and the even larger amount that we get invited to but aren’t able to see. So, rather than a more traditional ‘best-of’ list, here’s a totally subjective list of a few of my favourite things – in no particular order – from theatre and performance in 2019.

Continue reading

A Kind of People, Royal Court

Image result for a kind of people, royal court

by Laura Kressly

Pretty much anyone that isn’t rich is never far away from losing everything no matter how aspirational they might be. A decade of austerity measures mean that anything going wrong, like losing a job or a relationship breaks down, can lead to ruin within a matter of months, particularly for those who are already marginalised by Britain’s systemic inequality. At the start of Mark’s birthday party, it’s a possibility doesn’t occur to anyone. By the end, racism from one of the party guests catalyses a series of events that shows just how vulnerable people of colour and the working class are, and how desperation can make all of us do things that are ethically and morally questionable, even to our friends and families.

Continue reading