Tethered, Lion & Unicorn Theatre

Tethered | London Theatre: Stagedoor

by Diana Miranda

Brought to us by ChewBoy Productions, Tethered, Or the Adventures of the Adequately Excited People is a surrealist, dark comedy about isolation, hope(lessness) and the effects of relying on others while searching for freedom. Written by Georgie Bailey and told through a series of short scenes, Tethered unfolds as a play within a play that jumps back and forth in a metatheatrical game, with a tone ranging from running-commentary comedy to meaning-searching existentialism.

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Lava, Bush Theatre

Lava – Bush Theatre

by Laura Kressly

Renewing a passport is usually a straightforward – if annoying – bit of life paperwork so Benedict is surprised when a letter arrives from the Home Office indicating otherwise. However, this admin obstacle is the start of her explorations a historic maze of familial border crossings, cultural differences, and complex identities. Of course, it’s still far bigger than than that because a family does not exist in a vacuum. In this instance, colonial and racial violence have shaped entire nations and Benedict’s family is a part of that, and she is here to ensure we hear her story, and those of many others who are marginalised and oppressed by imperialism.

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Through the Mist, Clean Break Studios

Review: Through This Mist, Clean Break, London

by Laura Kressly

As part of Clean Break’s 40th anniversary celebrations, this outdoor, in-person production showcases some of the work the company created over the past year. The collection of short monologues created by Clean Break members and associate artists all share stories of loss, isolation and loneliness, which are further contextualised by lived experiences of incarceration. The character-driven pieces are remarkable examples of human resilience in the face of systemic oppression and a criminal justice system that is punitive and cruel.

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FRIEND (the one with Gunther), Wilton’s Music Hall

FRIEND (The One with Gunther) - Wilton's

By Stephanie Watkins

After the past year, Friends fans truly have been spoilt for choice for new content and activities, from “Friends Fest” around the country, to the big reunion, and discovering that Ross and Rachel were, in fact, real. However, someone we don’t often hear about when talking about the sensational six is who some consider to be the seventh friend. The man behind the coffee and presumably the “reserved” sign at the table, Mr Gunther CentralPerk.

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…cake, Theatre Peckham

By Diana Miranda

Theatre Peckham’s Artistic Director Suzann McLean hits the target as she notes that …cake is a bold new play which honours intersectionality. Written by babirye bukilwa and directed by malakaï sargeant, this two-hander drama pulls away from the myth of neatly defined tropes regarding gender identities, roots, class and relationships, and sets out to explore the complexities of stepping out of a familial cocoon that shifts from warm to flaming.

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Express Gilbert and Sullivan, Pleasance Theatre

World premiere of Express G&S at Roman Theatre in St Albans | Herts  Advertiser

by Zahid Fayyaz

This is certainly a different one: a whirlwind, 75 minute-long tour through Gilbert and Sullivan’s most popular operas, with three actors and a pianist in tow to run through all the songs they can fit into that limited time period. Charles Court Opera, a talented and experienced company, do a great job with the songs, with the solo numbers being a particularly wonderful part of the show.

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Feature | Dismantling Rehearsal Room Hierarchies

by Laura Kressly

In some of the recent popular discourse on the abuse that pollutes the theatre industry, hierarchies and the power they bestow on those at the top have – rightly – been criticised. A rehearsal room mostly populated by freelancers, but run by a single salaried person on staff with the production company or venue, creates a massive power imbalance that can be weaponised. Of course, many rehearsal processes are steered by good people who don’t exploit their position, but in my 20+ years of working in theatre, I’ve rarely seen these hierarchies dismantled, either partially or fully, when the production company operates with one in place. Power is clearly and consistently utilised, with the person in charge easily visible at all times.

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Shedding a Skin, Soho Theatre

photo by Helen Murray

by Laura Kressly

Whilst feeling uncertain and lost may well be something everyone goes through at least at one point in their life, thats no consolation in the moment. Everyone else seems to have purpose, direction and a place, and the sense of not having that can be debilitating. That’s certainly the case for Myah.

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seven methods of killing kylie jenner, The Royal Court

Seven Methods of Killing Kylie Jenner at the Royal Court Theatre | Theatre  review – The Upcoming

by Laura Kressly

Cleo has finally had enough of Kylie Jenner’s celebrity and with nowhere else to safely vent her frustrations, she takes to her anonymous Twitter account. After her first couple of tweets critiquing Kylie’s appropriation of Black culture, Cleo’s best friend Kara busts in when her concerned Whatsapps are ignored. Their ensuing discussion – that often descends into argument – also covers queerness, friendship, teenage offenses and indiscretions, and the long history of violence Black people have suffered at the hands of whites.

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The Sun, The Moon and The Stars, Theatre Royal Stratford East

The Sun, The Moon and The Stars: Kibong Tanji gives an unmissable  performance

by Laura Kressly

Women’s anger is often expected to be suppressed or contained rather than be unleashed on the world. Otherwise, we risk being labelled ‘crazy’ or ‘a bitch’, no matter what injustice we experience. But Femi can’t hold it in anymore. The night before the group of white men who killed her killed her brother Seun on Margate’s beach face charges of manslaughter, his ghost visits her to share the truth of his death. Initially baffled by her dead brother’s appearance, she is transformed into an embodied fury that cannot and will not stop until she gets revenge.

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