by Becky Lennon
Presented by Just Add Milk (JAM), Conor Hunt’s Who Cares is a powerful and moving piece of theatre which explores the challenges faced in society today because of austerity. We join Jamie (Reece Pantry), who is enjoying a pint in his local pub The Crown, served by the charming bartender Dan (Kyle Rowe), who claims he is the ‘Shakespeare of Swears’. We follow the pair on their journey to create a final send-off for the pub, in hope that they can save their beloved local by showcasing the need for this community space, which is so important to Jamie and Dan in different ways.
by Amber Pathak
Where can you go when you’re stuck in a dead end job? What do you do when you feel all hope is lost? Why is my boss an asshole? Current, meaningful and true to life, Godfrey will answer these questions and make you feel just about everything possible.
by Stephanie Hartland
“Maybe I’m not built this way. Am I too sensitive?”
Sex workers and stripping is a prominent and controversial topic in feminism and modern society as a whole. Given this context, it is no surprise that the subject has made it on stage in the form of Angels by She’s Diverse Theatre Company.
by Jade Pathak
What does it look like when you mix ethical, underground theatre with a Disney-esque musical that follows a heroic, Greta Thunberg-type, a gardener and an enigmatic polar bear? Well, Pigfoot Theatre show us, and it’s a whirlwind of fun for all ages with a live, whimsical score. Sharp, funny and informative, something special has been created here, and the care and love for this production is visible from every detail, from the bike powered lighting strips, to the recycled tin cans.
by Dora Bodrogi
“But it’s getting better, right?”
This is the question I get the most often when I mention institutionalised homophobia in a country I’ve left, Hungary. And it’s not so bad there in this regard, they ‘only’ have a ban on marriage equality, same-sex joint adoption, and Gender Studies. After all, a Pride march isn’t the same without skinheads booing from the cordons, and pulling out of Eurovision because it doesn’t agree with traditional national values (read: because it’s too gay). It could be worse.
by Cara Lee
Much like Bicycles and Fish, the first show Katie Arnstein performed at the festival, Sexy Lamp is a perfect mix of wit, emotion and more serious points, that reflect both her own experiences and the experiences of the majority of women with misogyny, perfectly. In this show, the second of her trilogy It’s A Girl!, she moves on to her first experiences trying to make it in London in the world of acting, once again discussing her struggles against misogyny.
by Laura Kressly
Rosa’s been bloated and uncomfortable for about week, but she’s sure it’s nothing. She just needs to find some clothes that hide it, and are also suitable for a first date. A week after that, convinced the pain is something she’s eaten or trapped wind, she’s diagnosed with cancer. It’s 1 April 2018. She’s only 23 years old. Despite her hopes for it to be the year she sorts her life out, the reality is much more stark and scary.