A brand new venue has opened up in West London, the Wonderground Earls Court, from ubiquitous producers the Udderbelly. With a fairground, beach, bars and an upside down purple cow as a venue space, it is certainly an interesting and different place to see a show.
As her latest show further proves, Lucy McCormick is a queen of pop culture critique. Embodying her alter ego Lucy Muck, she debuts as a pop star but not one with the spit and polish of a music video. Instead she embraces an aesthetics of failure in both her design and dramaturgy. DIY costumes, gunge and water combine with her character’s emotional vulnerability to interrogate the high shine of celebrity and expectations of a music icon in this absurd and often poignant gig.
This is certainly a different one: a whirlwind, 75 minute-long tour through Gilbert and Sullivan’s most popular operas, with three actors and a pianist in tow to run through all the songs they can fit into that limited time period. Charles Court Opera, a talented and experienced company, do a great job with the songs, with the solo numbers being a particularly wonderful part of the show.
Freya, a teenager, is dealing with the micro-universe of lockdown life. She delves into music to evade an annoying younger sibling and two stressed-out parents struggling with employment insecurities. While dealing with home school, Freya daydreams about a boy and wishes she could know if her dreams are reciprocated. Enter Mab, Shakespeare’s neglected character now brought centre-stage in this new play by Danielle Pearson.
Established in a Saxon burial ground near Hampstead during a thunderstorm, Mediæval Bæbes have been – suitably – taking crowds by storm for 25 years. For their anniversary performance they have come to the beautiful Actor’s Church in Covent Garden.
The lights dangling over the audience in the intimate pub garden theatre look rather like anal beads. It’s a great choice by lighting designer Richard Lambert because they suit the joyously raunchy tone of this adult panto in Vauxhall, or rather, the charming mountain village Vaüxhallen. The town’s residents we meet over the two hour-long show are all out for some action and adventure – in every sense of the word.
This is an ambitious, interactive new video-game inspired musical, melding a tale of the trials and tribulations of a contemporary family with an 8-bit video game aesthetic. Each audience member is given a ‘controller’ (a bit of card which is blue on one side and red on the other), and at certain points in the narrative, they gets a say in what direction the plot turns. Towards the latter part of the show, the narrative rewinds and you see all of the alternative paths that could have been taken.
As the audience enters the venue, a band is onstage waiting. The five-piece, all-woman band stays there the whole time, playing punk rock in between performing the play’s scenes. They tell the story of eight years from a girl’s life spent growing up, falling in love, making a mistake, and her life falling apart due to horrific things happening to her. She then attempts the long road to recovery, with the help of her mother and therapist.
This is the first preview performance of a one-man show following Jacob, a young man trying to turn over a new leaf away from his previous life as a hard-living and loving party animal. He’s doing this through Jesus and focusing on his education. He is, however, finding this difficult due to constant interruptions from his friends and ex-girlfriends whilst he is trying to finish an assignment.