Robin Hood: The Arrow of Destiny, Theatre Peckham

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by Laura Kressly

Everyone knows the myth of Robin Hood – a heroic forest dweller fights against injustice by stealing from the rich to help the poor in medieval Nottingham. Is there any truth is the story, though? Richard Hurford’s interpretation suggests Hood isn’t particularly ambitious and a bit shy; he just wants to hang in the woods with his mates. The real hero is Maid Marian, but she knows she won’t be taken seriously as a woman.

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Snow White and the Happy Ever After Beauty Salon, Ovalhouse

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By Laura Kressly

I’d never considered hair salons to be the domain of estranged, murderous sisters, but this contemporary, actor-muso update of Snow White shows a darker underbelly of this normally jolly place. At the Happy Ever After salon, Trish has built a beauty empire that she rules with an iron fist, toxic pomades and razor sharp scissors. Punctuated by original vintage-style tunes, puppetry and engaging performances, this show is a sophisticated pantomime that’s diverse, accessible and fun.

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Sh!t Theatre’s Original Sing-a-long-a Muppets Christmas Carol, Bush Theatre

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by Maeve Campbell

If you only go to one Muppet’s Christmas Carol sing-a-long this year make it Sh!t Theatre’s. Goody bags, whiskey and raucous jokes are all provided as we’re escorted through the movie by the charming Biscuit and Mothersole, whose witty subtitles only enhance this festive celluloid masterpiece.

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Guys and Dolls, the Mill at Sonning

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by Meredith Jones Russell

This is a real Christmas treat. Following a delicious festive feed at the Mill’s onsite restaurant before the show (included in the ticket price), settle back to watch a talented cast of dodgy gamblers, Salvation Army missionaries and showgirls perform such classics as ‘Luck Be a Lady,’ ‘The Oldest Established’ and ‘Sit Down You’re Rocking the Boat.’

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Drip, Bush Theatre

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by Amy Toledano

In anyone fifteen years old, emotions are running high. Everything feels bigger and more extreme than it actually is, so it’s easy to be swallowed up by all the feelings. Add on top of that being queer in the North of the UK, and the teen years are bound to be an absolute rollercoaster. Drip is a lovely reminder of what it feels like to be young, and how important friendship is.

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Burke and Hare, Jermyn Street Theatre

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by Laura Kressly

A story of two men who murder people in order to sell their corpses to doctors in 1820s Edinburgh shouldn’t work as a dark character comedy with music. But largely work it does and this three-hander, though somewhat structurally clumsy, is a good alternative to more typical Christmas theatre.

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Plaid Tidings, Bridge House Theatre

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by Laura Kressly

A wholesome guy group from the 1950s with dreams of superstardom died in a bus crash before they could make it big. But for some inexplicable reasoning, a little-discussed deity gives them one more shot at fame. Plopped in front of an expectant audience seeking Christmas cheer, the Plaids muddle through their posthumous encore. Though the story is utterly baffling, the four performers have heaps of holiday charm.

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