Bullish, Camden People’s Theatre

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Asterion wanders through the night, in a world that doesn’t really fit them. The minotaur of Greek myth, Asterion is the only one of their kind to exist. Asterion is bull-ish, neither human nor bull. Or, both human and bull. Either way, they’re on the hunt for adventure and way out of a labyrinth.

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Britney Spears: The Cabaret, The Other Palace

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by guest critic Michaela Clement-Hayes

When she first sprang onto the scene with her bunches, we all lost our minds. She was a cool teenager, singing about stuff that we were going through. Or at least we thought we were, but the truth was that we were younger than she was and didn’t really understand it. But we still loved her. And she had morals. Ish.

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Meow Meow’s Little Mermaid, Edinburgh International Festival

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by guest critic Tom Brocklehurst

The Hub has got its glad rags on for this one!

Meow Meow’s return to Edinburgh (now part of the International Festival, dontcha know!) is as spangly, feisty and marvellous as anyone might expect. This time she’s taking on Hans Christian Anderson’s The Little Mermaid. And please, nobody mention the Jamaican crab.

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Hot Brown Honey, Edinburgh Festival Fringe

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‘The revolution is childcare!’ proclaims Busty Beatz from the top of her honeycomb mountain. The revolution also honours people from First Nations around the world, respects women of colour and escapes the constraints of imperialism. It’s owning your body, your sexuality and your race. It is Hot Brown Honey, the radical feminist cabaret from Australian women of colour.

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Bourgeois & Maurice, Soho Theatre

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by guest critic Maeve Campbell

Landing onstage in glitzy hazmat suits, Soho Theatre veterans Gourgeois Bourgeois (George Heyworth) and Maurice Maurice (Liv Morris) struggle to start their set. Thank goodness that global warming is just a myth and skins are shed to reveal ridiculous nude allusion onesies. This opening visual gag is a good sign of things to come as Bourgeois and Maurice, reflecting on their impressive ten-year enterprise, are a hoot from start to finish in this seventy-five- minute show.

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Liza’s Back (is broken), Underbelly

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by guest critic Maeve Campbell

Liza Minnelli should have starred in the original Sound of Music, Gypsy and Les Miserables, but somehow things got in her way. That’s Trevor Ashley’s vision, and he is giving her some of those classic Broadway moments in this hour and a half show. Direct from rehab, Ashley’s Liza is suitably glittery, lispy and pant-suited. This is not a subtle impersonation, but the receptive London audience certainly don’t want that.

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