The Mystery of the Raddlesham Mumps, Wilton’s Music Hall

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by Laura Kressly

Seven-year-old Crispin, newly orphaned and the last remaining member of the Clumps family, has inherited a creepy, country pile called Raddlesham Mumps. Managed by an ancient butler who could have stepped out of a Dickens novel or The Addam’s Family, of course there’s more to this house than meets the eye. The bright and articulate child questions what seem to be supernatural forces and a familial curse, but the answers he gets in this narrative poem are far from savoury.

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Anansi the Spider, Unicorn Theatre

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by Laura Kressly

They say that a long time ago animals could talk, just like people do now. Anansi the spider was the smartest of all these ancient creatures, and used his intelligence for all sorts of nefarious aims. His legacy of scheming lives on as a collection of stories from West Africa to the Caribbean. This new production presents three of them where the mythical trickster isn’t always the nicest, but directed by Artistic Director Justin Audibert for 4-7 year-olds, they are engaging morality tales with music, interaction and excellent performances.

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The Sea Queen and Twelfth Night, The Scoop

by Laura Kressly

Since 2003, there has been a summer of free, open-air theatre at The Scoop, a sweeping, granite amphitheatre on the Thames next to City Hall. This year’s double-bill is a 90-minute version of Shakespeare’s Twelfth Night and a new children’s musical, The Sea Queen. Performed by one cast doing double-duty, Twelfth Night is the far superior show though there is plenty to appeal to young children in The Sea Queen.

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Dido, Unicorn Theatre

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by Laura Kressly

If theatre has a reputation for being inaccessible and snobbishly high cultured, opera is doubly regarded as such. Fortunately, the Unicorn and ENO teamed up to make this young people’s version of Dido and Aeneas, pared down to 60 minutes with an easy-to-understand story for secondary school students. However, the story is pitched as placing Dido’s teenaged daughter at the centre, but this version is not reconfigured enough to make her more than a passive observer of her mother’s collapse.

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The Show in Which Hopefully Nothing Happens, Unicorn Theatre

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By Laura Kressly

For a show in which hopefully nothing happens, there are plenty of weird and wonderful things that unfold, of course. Because a children’s show – or one for adults for that matter – would be incredibly dull indeed if nothing happened, but that’s absolutely not a worry here. 

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Seussical, Southwark Playhouse

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by Maeve Campbell

It’s difficult to work out who the musical Seussical is for and why its been revived. Trying to imagine how a ten-year-old might watch this show doesn’t help answer these questions. In fact, it clouds the answer even more. I think if I was ten and watching this show, I’d feel utterly patronised by it.

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