The Dark, Ovalhouse

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by Romy Foster

The Dark is an exhilarating and personal journey through the dusty backroads of Uganda in 1979. Jumping between then and present day, Michael Balogun tenderly tells author Nick Makoha’s story of how he and his mother escaped the terror of Ugandan dictator Idi Amin’s reign and crossed the border heading for the UK when he was four years old.

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Forgotten, Arcola Theatre

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By Laura Kressly

Old Six and his wife Second Moon are poor but have a new baby. Eunich Lin is constantly ridiculed for his lack of balls and family’s poor timing. Big Dog doesn’t know his real name and loves smoking a bit too much. Apart from the love of performing Chinese opera to their friends and families, there’s little else that brings joy to this rural village in Shandong Province. But when the villagers hear that the British and French are recruiting men to work in labour camps to support the WWI troops, this could be a way to change their fortunes.

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A Kettle of Fish, Yard Theatre

by Helen Murray

By Laura Kressly

Lisa is on a work trip with two colleagues. Things at home are a bit stressful and she normally isn’t included at this level of project management, but she’s fine. Not long into the flight, an attendant asks to have a word with her at the front of the plane. The devastating news she receives sets off a chain reaction of grief, anger and meltdowns. As Lisa tries to hold it together in front of the other passengers, reality slips from her grasp. 

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Poet in da Corner, Royal Court

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by Laura Kressly

At the start of the millennium, Deborah is a teenager living on the edge of East London with her silent father and zealous Mormon mother. She feels suffocated by religion when she starts secondary school. But as she gets stuck into this new world, she meets Vyper and discovers Dizzee Rascal. Once her mind and her talent are unlocked by these two forces, her life is irrevocably changed for better and worse.

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A herd of Zoo shows, Edinburgh Festival Fringe

by Laura Kressly

Over the last few years, Zoo has been quietly building its reputation as a venue, breaking the stranglehold that the Big Four and Summerhall have on high-quality work. With a loose focus on physical theatre and performance, they boast a programme varied in style, but also in quality.

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Queens of Sheba, Edinburgh Festival Fringe

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by Laura Kressly

In 2015, four black women were turned away from the nightclub DSTRKT for being ‘too black’. It temporarily drew attention to systemic racism, but black women still encounter racism everywhere. In schools, work places, social situations and in public spaces, black women must conform to standards of behaviour and appearance that are dictated by white people. 

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Prom Kween, Edinburgh Festival Fringe

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by Laura Kressly

If you were anything other than one of the popular kids, you probably hated school. Matthew’s in the process of coming out as nonbinary so they’re obviously having a bad time of it. Luckily, their best friend Binkie and his fairy godmother RuPaul have their back in this messy, glittery musical ode to being different.

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