A State of Mind, King’s Head Theatre

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Billie has been around. Now in her 60s, she reflects on a life filled with sex, drugs and rock ‘n’ roll. But it’s not always been carefree – looking after her dying mother, dysfunctional relationships and a lack of parental support system meant that from her teen years she largely had to find her own way. Though she grew up in the age of free love, she also saw its dark underbelly and wants to share what she’s learnt along the way.

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The 25th Annual Putnam County Spelling Bee, Drayton Arms Theatre

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by guest critic Amy Toledano

It is rare that a large-scale musical can be performed to its full potential in a tiny, unventilated room above a pub, but MKEC’s latest production of The 25th Annual Putnam County Spelling Bee does exactly that – and then some.

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Why Is the Sky Blue?, Southwark Playhouse

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by guest critic Amy Toledano

Why is the sky blue? What is there to do in Argentina? Why is the sea green? How regularly are young people in the UK and around the world watching pornography? And –  more importantly – what affect is it having on their sexual and mental development? These are just some of the questions raised in Abbey Wright’s brand new Why is the Sky Blue?

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Interview | ‘All roads lead to Tim Webb’: Peg Schuler-Armstrong on working with Oily Cart

by guest writer Steven Strauss

New York’s Lincoln Center invited UK-based Oily Cart to be one of three theatres from outside the US to perform at the Big Umbrella Festival, the first of its kind dedicated to such audiences.

In addition to Oily Cart’s Light Show, the one-month festival includes other one-off events, symposiums, and professional development opportunities for artists, arts professionals, presenters, and audience members interested in expanding the theatrical spotlight on this shamefully under-served community.

Simply put, major theatres around the world should really be funding such festivals all the time. To find out more about the process of bringing the Big Umbrella Festival to life, we interviewed Peg Schuler-Armstrong, the Director of Programming and Production for Lincoln Center Education, the organizers of the festival.

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Beginners, Unicorn Theatre

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by Laura Kressly

Kids are intuitive. They’re smart, observant and know a lot more about the world than adults think they do. Tim Crouch’s play where adults and children play each other and kids eventually run the show also proves that they aren’t that different from each other anyway. Whimsical design, innovative dramaturgical devices and an unwilling to patronise young people with obvious storytelling combine to create a marvellous and thoughtful piece of theatre for all ages.

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You Having Olaf?, VAULT Festival

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by guest critic Amy Toledano

A stage dressed with cardboard cut outs of Donald Trump, three members of One Direction and a children’s play house are just some of the elements that make up this monologue of a recovering children’s entertainer. Joseph Cullen, or put more plainly Joe, who enters the space in a complete Princess Leia outfit, introduces himself to us as exactly this, and then continues to surprise us from that moment on.

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