CLASS, Bush Theatre

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by an anonymous guest critic

CLASS, a play from Ireland co-written and directed by Iseult Golden and David Horan, is set around a teacher-parent meeting in a Dublin primary school. The teacher, Mr McAfferty (Will O’Connell), is a seemingly conscientious man who takes his job seriously. He invites the parents of one of his students, nine-year-old Jayden, to discuss his literacy learning difficulties.

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Why the Child is Cooking in the Polenta, Gate Theatre

by Louis Train

Why the Child is Cooking in the Polenta is an odd show, odder even than the name promises. Edith Alibec stars as a young Romanian woman, pre-pubescent in the earliest scenes, who grows up in a traveling circus where her mother hangs from the big top by her hair. The play is based on Aglja Veteranyi’s autobiographical novel of the same name.

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Wolfie, Theatre503

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by Laura Kressly

Britain is a nasty, hostile landscape of bureaucracy for children in care. Their lives are at the mercy of under-resourced local councils, overworked social workers and teachers, and a hegemonic class system that sees them as unwelcome, sub-human burdens. The Sharky twins, the heroes of Ross Willis’ “some sort of fairytale”, fight to defy the government’s disregard for the hardship they endure and their odds of survival in this genre-bending, complex critique of the county’s failings to look after those who need it most.

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The Show in Which Hopefully Nothing Happens, Unicorn Theatre

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By Laura Kressly

For a show in which hopefully nothing happens, there are plenty of weird and wonderful things that unfold, of course. Because a children’s show – or one for adults for that matter – would be incredibly dull indeed if nothing happened, but that’s absolutely not a worry here. 

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3 Billion Seconds, Vault Festival

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by Laura Kressly

The average baby born in Britain today will live for three billion seconds. They will be responsible for contributing approximately 58.6 tonnes of carbon to the environment. As such, climate scientists widely agree that not having children at all or having one less child than originally planned will have a significant effect on pollution levels. Climate change activists Daisy and Michael know this, and advocate for reducing the population in their environmentalism talks they give around the country – but what happens when they fall pregnant?

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Feature | Top Ten Shows of 2018

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by Laura Kressly

Growing global discontent has been the hallmark of 2018, and 2019 is looking even worse. The last few years have marked a rise of the far-right, but theatremakers in opposition are letting audiences know it from the stage. Some of the best shows of this year show anger, fear, uncertainty or simply let the world know that enough is enough – it’s time for a fairer, more peaceful society that pays homage to all of its people.

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Robin Hood: The Arrow of Destiny, Theatre Peckham

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by Laura Kressly

Everyone knows the myth of Robin Hood – a heroic forest dweller fights against injustice by stealing from the rich to help the poor in medieval Nottingham. Is there any truth is the story, though? Richard Hurford’s interpretation suggests Hood isn’t particularly ambitious and a bit shy; he just wants to hang in the woods with his mates. The real hero is Maid Marian, but she knows she won’t be taken seriously as a woman.

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