Amour, Charing Cross Theatre

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by Amy Toledano

Post-World War II, the city of Paris is putting itself back together. People go to work, people get married, people get by. Monsieur Dusoleil (Gary Tushaw) epitomises this attitude, working harder than the other clerks in the office, and yet, he feels the sting of loneliness. Amongst the other tortured, Parisian souls is Isabelle (Anna O’Byrne), a woman married off much too young and trapped by a much older man, known simply as the Prosector (Alasdair Harvey).

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WOW EVERYTHING IS AMAZING, Battersea Arts Centre

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by Laura Kressly

As the world feels more and more like a dystopian nightmare that could explode at any moment from greed and relentless late capitalism, it’s unsurprising that young people are worried about their future. Sounds Like Chaos are a soothing balm for them, though. The associate company at the Albany supports referred and self-referred 12-21 year olds with training, employment opportunities and opportunities to make theatre, treating them with respect and valuing their ideas. Their latest ensemble work is set in the near future, using music, projections and ritual to critique online culture.

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Oral, Camden People’s Theatre

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by Laura Kressly

CW: sexual abuse

I don’t think much about my mouth. I’m not a fan of the dentist – who is? – but I quite love filling it with food. In any case, I don’t really put any thought into my relationship with it. Theatremaker and mental health activist Viv Gordon, on the other hand, relives a childhood scarred by oral abuse every time she gets her teeth checked. Brushing them makes her gag. Yet her experiences are often dismissed, ignored or patronised, making her feel invisible. She’s had more than enough of that, so she made a show that demands awareness of the survivor’s plight.

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One Million Tiny Plays About Reading, Progress Theatre

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by Louis Train

In One Million Tiny Plays About Reading, a pride parade passes through the town, two kids commiserate over their hard luck at school, a tour group visits the town centre, and an MP takes photos at a food bank. This charming kaleidoscope takes the model invented by Craig Taylor in his landmark play One Million Tiny Plays About Britain to present a few dozens vignettes about daily life in Reading.

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10, Vault Festival

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by Laura Kressly

It’s no secret that history has been written by rich white men, and anyone not a rich white man is sidelined in textbooks and scholarship. Though institutions are starting to decolonise and de-centre the narrative that is widely taken as fact, women still aren’t getting the attention they deserve and change is slow. In 10, playwright Lizzie Milton wants to redress the balance. The potted stories of 10 women who have been largely forgotten in the passage of time unfold in choral celebration, serving to both educate and enlighten audiences.

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And the Rest of Me Floats, Bush Theatre

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By Amy Toledano

Outbox Theatre’s latest show is a celebration of non-binary and transgender people. It honours the blurry lines of gender and brings joy to people that endure prejudice everyday. Devised by the company, it illuminates the emotions of a community that fights to be seen, and through music, spoken word and movement, create vignettes of moments from their lives in which they have been forced to explain themselves, their bodies and their identities.

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Bon Voyage Bob, Sadler’s Wells

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by Laura Kressly

I’m going to go out on a limb and state than any performance lasting three and a half hours should be good. At a minimum – if it has a name like Pina Bausch’s attached it should be much better than good. It should be complex, groundbreaking and innovative.

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