Devil With the Blue Dress, Bunker Theatre

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by guest critic Amy Toledano

The political climate of 1990’s America may be something the world has largely forgotten, but playwright Kevin Armento certainly has no issue in reminding us of one of the country’s most memorable sex scandals. In his audacious new play Devil With The Blue Dress, Armento examines five women’s accounts leading up to – and resulting in – President Clinton’s impeachment in 1998. From the moment you set foot in the Bunker, you cannot help but be transported into what feels like the smoky underworld of dirty politics. This sensation can only be helped by saxophonist, and lone instrumentalist of the show, Tashomi Balfour, who underscores the entire piece with his smooth and often haunting melodies.

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Ok Bye, VAULT Festival

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by guest critic Alex Dowding

So what really happens when the fat lady sings? If it’s anything like Red Belly Black’s accomplished take on on the exquisitely human experience of grief and letting go, expect laughter, tears and harsh truths served with a glittering side of live music.

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Mexico: A Love Story, VAULT Festival

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by Laura Kressly

Critics don’t enjoy writing pans. We don’t review because we want theatre to be bad. Quite the opposite – every time we take a seat, whether it be plush and commercial or a bench on the fringe, we hope the show we’re about to watch is the best thing we’ve ever seen. But we’re duty-bound to be honest.

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Boys, VAULT Festival

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by guest critic Ava Davies

Boys, the inaugural piece by physical theatre group The PappyShow, is about exactly that. It’s an exploration of manhood, of masculinity, of what it means to be a man of colour in the UK today. It’s about mess and silliness and play and pain. It’s about the complexity of selfhood – because how can one man possibly contain all these multitudes?

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The Ingenious Gentleman Don Quixote of La Mancha, VAULT Festival

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by guest critic Lauren Gauge

At it’s best The Ingenious Gentleman Don Quixote of La Mancha is a one of the most ridiculously fun, liberating examples of interactive, ensemble storytelling. Though the narrative is intrinsic and the episodic adventures of Don Quixote are told with great clarity and comedy, the novel the production is based on is not the main attraction, nor is it important that one knows the original material.

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This Beautiful Future, Yard Theatre

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by guest critic Nastazja Somers

France 1944. A young French girl Elodike runs to meet her lover, a German soldier Otto. Their love is innocent and pure, the exact opposite of the world around them. This is a place that has been torn by war, despair and hunger. Yet the young pair of lovers find time and space to make love, talk about their family and friends, and most importantly connect – despite their differences.

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