Seussical, Southwark Playhouse

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by Maeve Campbell

It’s difficult to work out who the musical Seussical is for and why its been revived. Trying to imagine how a ten-year-old might watch this show doesn’t help answer these questions. In fact, it clouds the answer even more. I think if I was ten and watching this show, I’d feel utterly patronised by it.

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Baby, Drayton Arms Theatre

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by Amy Toledano

Baby by MKEC Productions follows a year in the life of three couples as they experience the world of childbirth, from their struggles with conception, to difficulties in their relationships and within themselves as individuals. This talented cast does their best with this dated book and ideas, and attempts to bring the 1983 Broadway hit into the 21st century.

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Beauty and the Beast, King’s Head Theatre

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by Amy Toledano

Fat Rascal Theatre Company has created magic in their gender-swapped, musical parody of Beauty and the Beast. This show offers an interesting look at the ideologies behind most classic fairy tales and quite literally turns it on its head with a sharp book, catchy score and brilliant performances.

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About Lady White Fox With Nine Tales, Edinburgh Festival Fringe

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by Laura Kressly

Shakespeare’s work is very much of his time and place, with his universality much more embedded in Western culture. Seeing a Korean company stake a claim on Macbeth and intersperse the story with its own cultural myths and legends is a potent reminder of the relevance of his stories and themes, and provides a unique filter for Western audiences to take in his work. There are plenty of issues with this physical theatre piece, but its use of the text as a starting point for a different story is a hugely refreshing take.

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