The Canary and the Crow, Edinburgh Festival Fringe

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by Meredith Jones Russell

In this semi-autobiographical tale of a working-class Black kid who gets in to a prestigious grammar school, writer and performer Daniel Ward is an insanely likeable and undeniably talented focus. His character, Bird, draws us immediately into his story with warmth and charm, accompanied by original grime and hip-hop tunes.

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Lunatic 19’s, Finborough Theatre

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by Laura Kressly

As ICE parasitically invade peaceful American neighbourhoods and imprisons people in concentration camps, the country’s president spaffs racism from his twitter feed and white supremacists take to the streets. Life for immigrants in the US, documented or not, is terrifying right now and Tegan McLeod’s “deportational road trip”, certainly proves this. Though immigration control and the human face it takes on here is horrifying, McLeod’s script never quite settles on the narrative she wants to tell.

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A Lesson From Aloes, Finborough Theatre

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by Laura Kressly

Peter and Gladys pass their days tending potted plants and journaling. Life is quiet as they reflect on their lengthy pasts, stretching out behind them like toxic shadows. Neither are happy in their shabby, all-white suburb tense with apartheid-era legislation, but a visitor that evening may just be the thing they need.

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Welcome to the UK, Bunker Theatre

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by Laura Kressly

It seems like the Bunker has been transformed into a small-scale, DIY circus, setting the mood for a playful and uplifting story. Instead, an ensemble of 16 enacts a series of grotesque and infuriating sketches depicting refugees’ and asylum seekers’ experiences navigating the UK’s racist and classist ‘Hostile Environment’.

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Forgotten, Arcola Theatre

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By Laura Kressly

Old Six and his wife Second Moon are poor but have a new baby. Eunich Lin is constantly ridiculed for his lack of balls and family’s poor timing. Big Dog doesn’t know his real name and loves smoking a bit too much. Apart from the love of performing Chinese opera to their friends and families, there’s little else that brings joy to this rural village in Shandong Province. But when the villagers hear that the British and French are recruiting men to work in labour camps to support the WWI troops, this could be a way to change their fortunes.

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An Adventure, Bush Theatre

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by Laura Kressly

Jyoti crouches on the floor rearranging five photographs, frowning with much consternation. A man emerges from the storm outside, awkward and in an ill-fitting suit. Jyoti must decide if this is the man whose promises of an adventure in the one who will change her life forever, or if it is to be another. But chose she must, for it’s 1954 in India and her father needs the extra income that will come from marrying off his daughter.

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