Family Tree, Brixton House

by Luisa De la Concha Montes

This is an innovative play that presents the true history of Henrietta Lacks, a Black woman whose cancer cells were used to create the first immortalised human cell line. It opens with a rhythmic, spoken-word monologue delivered by Henrietta (Aminita Francis). We soon learn that her DNA, nicknamed by herself as “Did Not Ask”, was non-consensually taken from her body in 1951. It has since served as the key basis for medical research, including the development of HIV vaccines, investigation of cancer cells and more recently, the COVID vaccine.

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Sold, VAULT Festival

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by Laura Kressly

In 1831, Mary Prince’s autobiography was the first book published in the UK about a Black woman. Her straightforward, emotive prose shares her lived experience of being an enslaved woman in the West Indies and England in great detail, including numerous accounts of abuse. This two-woman show embraces it all, packing this story of family separation, numerous masters, and a quest for freedom into an hour. Dance, music and ritual are embedded into the dramaturgy, too – this is a dense show, but one telling an important story that’s exquisitely performed.

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