by guest critic Meredith Jones Russell
As you enter Follow Suit, four people dressed in variously ill-fitting suits stare back at you. When you leave 45 minutes later, you realise you’ve barely glanced away from them. And their gazes have hardly left yours either.
by guest critic Amy Toledano
Little did I know when I was walking into Waterloo East Theatre, that I wasn’t just seeing a show about mental health and surprise parties. I was actually attending said party with our wonderful, if not a little anxious, party host and creator of this highly entertaining one woman show: Lauren Silver.
by guest critic Lara Alier
I’m sitting in the foyer and haven’t seen my friend for 2 weeks so we are catching up before the play starts. A man comes and offers us some blueberry, gluten free pie, then we have a little chat.
Two men glide around the floor on small wheeled platforms. Like children, belly down on skateboards, they relish the speed and inability to control their paths. There’s a sense of freedom and joy in their movements, but collisions soon turn happiness into hostility. The fights increase in aggression, and the audience is made complicit. No one is innocent here.
A lesson: always read press releases in full. Why? Because you might turn up to a show and discover it’s performed in Russian (when you don’t speak Russian). At least in this instance knowing the source material for Hamlet Fool, a one-woman street performance style retelling Shakespeare’s classic, provides a base knowledge.
by guest critic Maeve Ryan
I Hear You And Rejoice is a tribute to the power of the single storyteller. Lighting, costume and staging are simple, revealing the power of the skilled actor. The result is a joyful play full of sentimentality that is also hugely funny.
This is the followup to the much-loved The Man In The Woman’s Shoes, also written and performed by Mikel Murfi. Both plays began their journey following a research period interviewing older people in Murfi’s native Sligo. Having performed the play back to the very people he had interviewed for inspiration, The Man In The Woman’s Shoes debuted at The Hawkswell in Sligo. It has since toured extensively to audiences at home and abroad.
by guest critic Rebecca JS Nice
Pickled Image Theatre work with John Nicholson to produce and write Coulrophobia, which has been touring on and off for seven months. Coulrophobia – Two Clowns Trapped In A Cardboard World is performed by Dik Downey (company director) and Adam Blake. The tragic twosome pull out a series of cardboard puppets as they frolic about a set full, but not quite full enough, of cardboard boxes.