Small Changes, Omnibus Theatre

Theatre review: Small Change at Omnibus Theatre

by Diana Miranda

Both Barrels Theatre’s revival of Peter Gill’s 1976 Small Changes looks back to postwar Cardiff through the eyes of two Catholic, working-class families. Gill’s narrative provides a layer of evocative lyricism scattered throughout the memories of two men, giving a poetic undertone to a realistic play.

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For All the Love You Lost, Edinburgh Festival Fringe

Fundraiser by Morosophy Productions : Morosophy Productions goes to  Edinburgh Fringe!

by Diana Miranda

Written and directed by Joshua Thomas, For All the Love You Lost is a sincerely moving piece coloured by passages of spoken word poetry and physical theatre. Despite focusing on contemporary dating, it succeeds in portraying the emotional value in connections beyond romantic love.

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Plasters, Edinburgh Festival Fringe

Interesting & heartfelt': PLASTERS – Edinburgh Fringe | My Theatre Mates

by Diana Miranda

This piece of new writing follows a young woman (Emma Tadmor) who explores what loving someone means as she tries to make sense of her relationship’s crumbling. The story unravels through metatheatrical transitions spread throughout the show that allow her to navigate the issue as herself and as the character she plays. She is joined by her partner (Julian Chesshire) during a show’s rehearsals that depict a couple who recently moved into a new flat. It’s a bit difficult to tell the difference between when they’re in character and out, and it takes a while to understand the relationship’s subplot when they’re off stage. However, the main essence is clear in both scenarios: the failure to communicate their feelings and the bitterness and frustration that entails.

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pool (no water), Edinburgh Festival Fringe

Pool (no water) : All Edinburgh Theatre.com

by Diana Miranda

New Celts Productions and Oddly Ordinary Theatre Company presents their take on pool (no water), a show that delves into the drive that a group of artists find in envy and ambition after an incident with one of their friends, the successful one. Written by Mark Ravenhill, the script has no assigned parts for any specific character. This leaves freedom for each production to explore and devise the motivations behind the text, as if the lines themselves were abstract protagonists that take human shape when a show sets them in motion.

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May Queen, Paines Plough Roundabout

MAY QUEEN - Paines Plough

by Laura Kressly

Leigh’s doing her GCSEs but all she and the girls at school can talk about is the upcoming May Day event, where Leigh’s playing the May queen. She can’t wait to wear the dress she was allowed to choose herself, and wave from the float whilst the entire city of Coventry comes out to watch. What she doesn’t realise is that at 16 years old, Leigh’s had enough of boys and men consuming her body.

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Lovefool, Edinburgh Festival Fringe

Lovefool – Bread and Roses, London - The Reviews Hub

by Diana Miranda

What does dating mean for someone who grew up when cassettes were a thing and fell in love before the era of dating apps? Rachel has just separated from her husband and is back at her mum’s, surrounded by boxes containing memorabilia from the nineties. Among those treasures, she re-discovers Sugar magazine, the ultimate guide to tackling dating. However, being single some twenty years later – when Bumble replaces phone calls – poses a few challenges. 

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Feature | Making Passion Fruit

PASSION FRUIT Tickets, Multiple Dates - London | OutSavvy

by Laura Kressly

Despite the best of intentions, working with friends doesn’t always turn out well. It can lead to crossed boundaries, arguments, and environments that make others uncomfortable. Work can be sidelined by inside jokes and messing about. Additionally, being mates doesn’t mean you have the same creative vision. However, none of this is the case with actor/writer Dior Clarke and director Melina Namdar. The close friends and creative associates are working together on the premiere of Clarke’s autobiographical, coming-of-age story Passion Fruit, about growing up in north London as a Black, gay man.

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Madhouse, Edinburgh Festival Fringe

Edinburgh Fringe set to return for 2021 festival

by Diana Miranda

Welcome to the madhouse, a place of chaos and confusion, typical of student house-sharing. A group of six friends gives a bittersweet glimpse of early adulthood, a path as messy as the kitchen table around which they party, study, and share their stories.

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Hjem, Greenhouse Theatre

Review: Hjem at The Greenhouse Theatre - Theatre Weekly

by Diana Miranda

At the heart of Canary Wharf’s Jubilee Park, The Greenhouse lets go of theatre productions’ bells and whistles to become a zero-waste venue that works only with recycled materials. The little wooden cottage and its in-the-round staging give the audience a feeling of gathering around a fire for a storytelling session, and the tales it offers are set in natural environments that frame, or even shape, the characters’ fortunes.

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