Elephant and Castle, Camden People’s Theatre

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by Jack Solloway

Elephant and Castle is a strange and precariously funny gig-theatre show about the lives of Lillian Henley, a musician and silent film pianist, and her teeth-grinding somnambulist husband, Tom Adams. Whilst this may sound a little far-fetched, the play is very much rooted in the performers’ own experiences. Acting out their relationship, using live music and verbatim sleep recordings, Elephant and Castle dramatizes the bizarre reality of Tom’s slow-wave sleep parasomnia and his relationship with Lillian.

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I’m a Phoenix Bitch, Battersea Arts Centre

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by Laura Kressly

Theatremaker and performance artist Bryony Kimmings hit rock bottom a few years ago. Her relationship was breaking down, her infant son was ill and her mental health was in tatters. To recover from the trauma, her therapist recommended a technique where she replays the traumatic events in her mind like a film. What better way to regularly go through this exercise than perform it every night?

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Hogarth’s Progress, Rose Theatre

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by Simona Negretto

Nick Dear’s first visit to William Hogarth’s world took place in 1986 when The Art of Success premiered in Stratford-upon-Avon. Now, over thirty years later, he has decided to take a peek into his character’s life once more and to show us the final part of the artist’s existence in The Taste of The Town.

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The Art of Gaman, Theatre503

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by Laura Kressly

Tomomi stands on the prow of a ship with arms flung open, ready to embrace a new life as a Hollywood actress. There’s something of Kate Winslet in Titanic about her unfaltering determination and hope – and that seminal pose, of course. When an older man disturbs her quiet reflection on the fish feeding below the water’s surface and her need for acting compared to their need for water, her destiny is forever altered.

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An Adventure, Bush Theatre

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by Laura Kressly

Jyoti crouches on the floor rearranging five photographs, frowning with much consternation. A man emerges from the storm outside, awkward and in an ill-fitting suit. Jyoti must decide if this is the man whose promises of an adventure in the one who will change her life forever, or if it is to be another. But chose she must, for it’s 1954 in India and her father needs the extra income that will come from marrying off his daughter.

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About Leo, Jermyn Street Theatre

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by Lara Alier

As I was walking to the theatre, down the St. James Street with my H&M boots, I was overwhelmed by a deep feeling of inadequacy. I was surrounded by tailoring shops, light brown leather shoes and the financial times. It was quite uncomfortable. When I finally made it, it felt better than entering a falafel shop after a night out. The intimate atmosphere of this welcoming theatre was the perfect place to slow-cook a good play.

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Eris, Bunker Theatre

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By Laura Kressly

Sean broke up with Tim because he’s just too fabulous and refuses to try to fit in. But now Sean’s sister is getting married back home in Ireland and he doesn’t have anyone to bring to the wedding that will suitably piss off his conservative, Catholic family. With his bestie Callista in tow, he embarks on one outrageous Tinder date after another as the trip home gets ever closer.

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