Snow White and the Happy Ever After Beauty Salon, Ovalhouse

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By Laura Kressly

I’d never considered hair salons to be the domain of estranged, murderous sisters, but this contemporary, actor-muso update of Snow White shows a darker underbelly of this normally jolly place. At the Happy Ever After salon, Trish has built a beauty empire that she rules with an iron fist, toxic pomades and razor sharp scissors. Punctuated by original vintage-style tunes, puppetry and engaging performances, this show is a sophisticated pantomime that’s diverse, accessible and fun.

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Little Women, The Space Arts Centre

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by Amy Toledano

Little Women by Louisa May Alcott is a book treasured by many. The story centres around family, self-discovery and growing up. Over the years there have been many different adaptations of this tale, and this latest retelling is a heart-warming modernization of a classic story.

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The Ex-Boyfriend Yard Sale, Camden People’s Theatre

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by Laura Kressly

I contemplate a ratty t-shirt displayed on a podium alongside several other seemingly random items. I’m asked to write down how much I would pay for it. Determining it’s not something I’d wear or have any other use for, I wrote £0 on a slip of paper that I slid into a box behind it.

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Hadestown, National Theatre

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By Laura Kressly

How can we radically reinvent myths and classic literature? I mean, really radically – not in a box ticking way, or a modernisation the production wears like a piece of costume that doesn’t really change the thematic core of the story. I mean thoroughly, totally, completely. So all traces of horrible ‘isms’ and ‘ists’ are either reframed or criticised. 

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Baby, Drayton Arms Theatre

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by Amy Toledano

Baby by MKEC Productions follows a year in the life of three couples as they experience the world of childbirth, from their struggles with conception, to difficulties in their relationships and within themselves as individuals. This talented cast does their best with this dated book and ideas, and attempts to bring the 1983 Broadway hit into the 21st century.

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The Distance You Have Come, Cockpit

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by Amy Toledano

Scott Alan is a long-standing cult favourite amongst musical theatre enthusiasts and his most recent song cycle The Distance You Have Come weaves in his most popular numbers with some newer ones. But whilst this cast is stellar, the ‘story’ is a little bit of a stretch. It’s the songs and actors that make this show most enjoyable.

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