Broken Wings, Theatre Royal Haymarket

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by guest critic Amy Toledano

It is rare that a new musical has the kind of oomph that Broken Wings has in a run lasting just four days. This show has shown that a brilliant cast, outstanding musicians and phenomenal score can create true magic.

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It Happened in Key West, Charing Cross Theatre

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By Laura Kressly

In 1930s Key West, German x-ray technician Carl Tanzler harbours an obsession for a local woman dying of Tuberculosis. Claiming to have nine degrees and access to technology that will cure her, he lavishes her with gifts and dubious treatments though the married woman never returns his affections. When she inevitably dies, he pays for the construction a mausoleum for her. Not content with this tribute, two years after her death he steals her remains and lives with them as his wife for seven years before being discovered.

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Knights of the Rose, Arts Theatre

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by guest critic Amy Toledano

Jennifer Marsden’s Knights of the Rose is new musical with a score that belts out so many familiar power ballads that it’s often hard to keep track of the actual storyline. With a cast that handle these numbers effortlessly and a book that often felt like it been written for the sole purpose of allowing the actors to show off their vocal skills, Knights of the Rose entertains but not for the reasons intended.

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Legally Blonde, New Wimbledon Theatre

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by guest critic Amy Toledano

The story of Elle Woods is one that many people are familiar with, and from the way the New Wimbledon Theatre was buzzing with excitement for it’s press night, it remains clear how many hold Legally Blonde close to their hearts. We have seen numerous productions of this show since it opened on Broadway in 2007, many of which have tried their best to be differentiate from the original. This version is no different.

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San Domino, Tristan Bates Theatre

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by guest critic Gregory Forrest

I really wanted to love this.

A new musical about gay men under Mussolini (politically, if not physically) sounds so exciting. Silvio Berlusconi’s claim that ‘Mussolini never killed people, just sent them to holiday camps’ brushes off the dark reality of imprisonment, violence, and unrecorded deaths. Yet by clearing out the closet, government officials gave gay men in particular the freedom to live openly and form tentative relationships in their Mediterranean exile. It was a queerly liberating sea breeze.

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H.R.Haitch, Union Theatre

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by guest critic Amy Toledano

In a time when our world seems to be headed for destruction thanks to the likes of Brexit and Trump, it is comforting to reflect on a more progressive time. Iris Theatre’s latest production H.R.Haitch does exactly this by focusing in on an typical London family at the end of 2011. Throw in some fantastic music, highly energised performances and a royal wedding, and this show entertains from start to finish.

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