Americat, Tristan Bates

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by Amy Toledano

Real-life couple Amy Elliot and Scott Kettner have written a show about love and the borders that are physically and mentally between them. However this show lacks the comedy, strong narrative and emotion promised, and instead paints an image that is unrealistic, strange and miss-represented.

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Essex Girl, Vault Festival

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by Meredith Jones Russell

Kirsty is a sixteen-year-old girl growing up in ‘00s Brentwood. She likes blue WKDs, Elton John and pie and mash. She’s also desperate to hook up with ‘Sexy Ricky’, but has a secret she doesn’t want to share.

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Beauty and the Beast, King’s Head Theatre

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by Amy Toledano

Fat Rascal Theatre Company has created magic in their gender-swapped, musical parody of Beauty and the Beast. This show offers an interesting look at the ideologies behind most classic fairy tales and quite literally turns it on its head with a sharp book, catchy score and brilliant performances.

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Poet in da Corner, Royal Court

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by Laura Kressly

At the start of the millennium, Deborah is a teenager living on the edge of East London with her silent father and zealous Mormon mother. She feels suffocated by religion when she starts secondary school. But as she gets stuck into this new world, she meets Vyper and discovers Dizzee Rascal. Once her mind and her talent are unlocked by these two forces, her life is irrevocably changed for better and worse.

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Fabric, Soho Theatre

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by Laura Kressly

Leah loves life. She works in a Saville Row shop and shares a flat with her best mate. It gets even better when she meets Ben Cavendish, a new customer at work, and things starts turning into a real-life fairytale. But real life isn’t a fairytale – awful things happen and endings aren’t always happily ever after.

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Queens of Sheba, Edinburgh Festival Fringe

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by Laura Kressly

In 2015, four black women were turned away from the nightclub DSTRKT for being ‘too black’. It temporarily drew attention to systemic racism, but black women still encounter racism everywhere. In schools, work places, social situations and in public spaces, black women must conform to standards of behaviour and appearance that are dictated by white people. 

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