by guest critic Lucy Bailie
Grief is unfortunately inevitable for us all, but what we don’t know is how it will affect us. We could sink to the bottom of a black hole and see no way out, or we could decide to live as a seven-foot tiger for the rest of our lives.
by guest reviewer Lara Alier
It has always surprised me how popular Lorca is in the UK.
Last night I went to the Cervantes Theatre, where plays are performed both in English and in Spanish. The first thing that catches my eye was the minimalist set design; the wall shows a weaved white pattern and the red floor mimicked big floor tiles.
by guest critic Lara Alier
Two women get married. Eight months later, two women separate. The relationship is not measured by its length, but by its electric, high intensity. We see snapshots of their lives, flying in and out their present and their past.
by guest critic Amy Toledano
Trashed is a high energy, thrilling and heartbreaking show that has the audience hooked from beginning to end. David William Byran plays Keith – a rubbish collector from a working class community in the UK. Throughout, Keith is engaging with the audience, asking questions and offering some of his beer, which he drinks continuously throughout the piece.
by guest critic Gregory Forrest
You have goat to be kidding me: the Royal Court’s latest experiment is a tonally-confused take on the Syrian conflict, fake news, and livestock management.
The bleating heart of Liwaa Yazji’s narrative is fascinating. For every son martyred in the ongoing war, local government will provide their grieving family with a goat. Children replaced by milk-laden mammals – it is a compensation scheme of twisted proportions. Local party leader Abu al-Tayyib goes as far as to declare ‘Our vision is for every house in the nation to have its own goat.’
Sami and his mum are preparing for her to go to Mars for years and years and years. Both obsessed with space, Sami’s proud of her but worried that he might never see her again. To help him come to terms with her imminent departure, mum buys him a book about Laika, the first dog to go to space.
Actor and writer Milly Thomas is an unstoppable force refusing to shy away from tough material. A First World Problem, her most recent play, lays bare the cruel adolescent world of a top girls’ private school. Her two shows at the fringe are stylistically different from each other, but both are similarly confrontational. Brutal Cessation forces the audience to examine the gender stereotypes within an abusive, cishet relationship and Dust, the significantly stronger of the two works, is a monologue on mental health and suicide.