Dollywould, Soho Theatre

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By Gregory Forrest

Self-proclaimed Sh!t Theatre turn trash into treasure. They’ve been killing fringe circuits over the last few years, and Dollywould is meant to be their ‘mainstream cross-over hit’. Or so they say. The show then takes aim at every kind of ‘mainstream’ taste level imaginable: country music, visual art, physical beauty, cabaret, and theatre. It’s an absolute shitshow and the most fun I’ve had in a theatre in ages.

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Big Bad, VAULT Festival

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by Laura Kressly

A woman is chained up in a damp cell. Alone, she is watched by an unseen group of men, afraid of her power. She rants, lectures and mocks them, gradually exposing the real reason she is imprisoned. It’s a pretty horrible thing, but her story of abuse, sexual power and society’s fear of strong women echoes like the howl of a wolf.

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The Wedding Room, VAULT Festival

by guest critic Lara Alier

Even though I grew up in Catalonia, my reference of  weddings come from watching American romcoms and attending two weddings in England. Despite the fact that I am a hopeless romantic, I feel this tradition is closer to resembling a funfair than a spiritual ceremony and frankly, makes me cringe. Maybe this play was trying to raise this issue. Maybe not.

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Girls & Boys, Royal Court

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by Laura Kressly

A woman stands on a pastel blue stage and starts at the beginning. She tells us a love story – how she met a man in an airport, fell in love and built a life with him. Great jobs, a family, a house, the full works. It’s perfect. Until it’s not.

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Maiden Speech, TheatreN16

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In world of Harvey Weinsteins, Bill Cosbys, MRAs and other own-brand misogynists in and out of the arts, A mini-festival of feminist theatre should be a soothing balm to the wounds wrought by male privilege. It is, in part. Though it’s great that feminist work is getting much-needed exposure, Maiden Speech varies in quality and lacks true intersectionality.

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