by Grace Bouchard
If you ever went to a house party when you were 16, you should probably go and see Superman by Rose Eye Productions.
by Grace Bouchard
by Dora Bodrogi
Forget trying to get your Friday Forty tickets to Cursed Child. Dumbledore is So Gay is a play so good you won’t need a philosopher’s stone to give you life.
Meet our hero, Jack – a teenage boy who hates French, got sorted into Hufflepuff, and who is in love with his best friend Ollie. Life is not going to be easy for him growing up gay during the heyday of Harry Potter. His story is told in three acts.
by Cara Lee
In the first of three one-woman shows performed by Katie Arnstein at the festival, she cleverly blends humour, emotion and the everyday sexism of our society to make powerful points. In this particular show, as she tells a story of “the day she became a feminist” as a teenager, she deftly weaves together women’s everyday experiences with the things everyone that age goes through, whilst adding a pinch of often ukulele-based comedy to lighten the tone of the whole thing.
by Meredith Jones Russell
Georgie Coles, Rosie Doonan and Kylie Perry asked young people across the UK, born and brought up on Whatsapp, Google and Instagram, to write in and ask them anything, anything at all. They then created Ask Me Anything to provide them with some answers.
by Evangeline Cullingworth
Angus’ dog died last week. Dain was his best friend. It’s like one day it was there, and the next it wasn’t. I mean, nothing is really making much sense lately.
by Becky Lennon
This story, based on real-life events, follows the lives of three sisters – Cassie (Alex Brain), Tin (Michaela Murphy) and Kit (Emily McGlynn) – after their mother disappears at a bowling alley. Although the piece focuses on the teenage perspective of the British care system, it also acknowledges the differences within individual families, the value of these differences, and invites us to ask, what makes a family?
by Laura Kressly
A new Caryl Churchill play is a special occasion, but four at once is a treat. Radically different in tone and theme, this collection ranges from pleasantly surreal to shocking and strange. Though they stand alone as short plays, as a whole they take on an array of society’s ills – but the pronounced concepts that Churchill is known for occasionally stale here, despite regular moments of brilliance.