young people

Red Pitch, Bush Theatre

by Laura Kressly

The centre of the world is somewhere in south London within walking distance of the Camberwell Morley’s. It might be up Walworth Road towards Elephant, or in the direction of the Oval on Camberwell New Road. It could also be between there and Peckham, or somewhere down near King’s College Hospital. With all of these areas at the mercy of predatory property developers and skint local governments who are tearing down council blocks and throwing up ‘affordable’ (spoiler: only affordable to rich people) housing, it’s hard to tell exactly where red pitch is. It’s there though, tucked amidst small, shabby shopfronts and concrete estates. To 16-year-olds Bilal, Joey and Omz, the red-fenced football field is everything.

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ENG-ER-LAND, Dulwich College

photo: Ali Wright

By Romy Iris Conroy

She shoots, she scores with this one. Waiting for her friends to arrive so they can watch Coventry FC live, we join teenager Lizzie as she takes us on a nostalgic stroll down memory lane to the mid-90s. The show is packed with classic tracks and brand references from the era you may have tried to erase from your memory whilst reminiscing about all the bad outfit choices we made as teens. It’s also full of committed dance moves, chants and audience participation.

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May Queen, Paines Plough Roundabout

MAY QUEEN - Paines Plough

by Laura Kressly

Leigh’s doing her GCSEs but all she and the girls at school can talk about is the upcoming May Day event, where Leigh’s playing the May queen. She can’t wait to wear the dress she was allowed to choose herself, and wave from the float whilst the entire city of Coventry comes out to watch. What she doesn’t realise is that at 16 years old, Leigh’s had enough of boys and men consuming her body.

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Queen Mab, St. Paul’s Church

Queen Mab – The Actors' Church, London - The Reviews Hub

by Diana Miranda

Freya, a teenager, is dealing with the micro-universe of lockdown life. She delves into music to evade an annoying younger sibling and two stressed-out parents struggling with employment insecurities. While dealing with home school, Freya daydreams about a boy and wishes she could know if her dreams are reciprocated. Enter Mab, Shakespeare’s neglected character now brought centre-stage in this new play by Danielle Pearson.

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Dumbledore is So Gay, VAULT Festival

Image result for dumbledore is so gay, vault festival

by Dora Bodrogi

Forget trying to get your Friday Forty tickets to Cursed Child. Dumbledore is So Gay is a play so good you won’t need a philosopher’s stone to give you life.

Meet our hero, Jack – a teenage boy who hates French, got sorted into Hufflepuff, and who is in love with his best friend Ollie. Life is not going to be easy for him growing up gay during the heyday of Harry Potter. His story is told in three acts.

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The Place’s Young Critics review: Bicycles and Fish at VAULT Festival

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by Cara Lee

In the first of three one-woman shows performed by Katie Arnstein at the festival, she cleverly blends humour, emotion and the everyday sexism of our society to make powerful points. In this particular show, as she tells a story of “the day she became a feminist” as a teenager, she deftly weaves together women’s everyday experiences with the things everyone that age goes through, whilst adding a pinch of often ukulele-based comedy to lighten the tone of the whole thing.

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Ask Me Anything, VAULT Festival

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by Meredith Jones Russell

Georgie Coles, Rosie Doonan and Kylie Perry asked young people across the UK, born and brought up on Whatsapp, Google and Instagram, to write in and ask them anything, anything at all. They then created Ask Me Anything to provide them with some answers.

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Cassie and the Lights, VAULT Festival

https://flickr.com/photos/43053770@N00/49475140222/in/album-72157712935137823/

by Becky Lennon

This story, based on real-life events, follows the lives of three sisters – Cassie (Alex Brain), Tin (Michaela Murphy) and Kit (Emily McGlynn) – after their mother disappears at a bowling alley. Although the piece focuses on the teenage perspective of the British care system, it also acknowledges the differences within individual families, the value of these differences, and invites us to ask, what makes a family?

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