Glass. Kill. Bluebeard. Imp., Royal Court

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by Laura Kressly

A new Caryl Churchill play is a special occasion, but four at once is a treat. Radically different in tone and theme, this collection ranges from pleasantly surreal to shocking and strange. Though they stand alone as short plays, as a whole they take on an array of society’s ills – but the pronounced concepts that Churchill is known for occasionally stale here, despite regular moments of brilliance.

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F. Off, Edinburgh Festival Fringe

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by Meredith Jones Russell

Is what we like more important than what we believe? This is the question posed by a National Youth Theatre (NYT) company bubbling with enthusiasm, excitement and talent.

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Seven Methods of Killing Kylie Jenner, Royal Court

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by Romy Foster

Kylie Jenner has just been announced as the world’s first ‘self-made billionaire’ and Cleo is VEX. Feeling this is undeserved, she has launched a tirade of tweets from her anonymous Twitter account @Incognegro about how to kill a social media entrepreneur or, as Cleo thinks of her, a ‘con artist-cum-provocateur’. She is now shut in her bedroom receiving persistent whatsapps from best friend Kara, who is worried about Cleo’s online rant.

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Justice, Blue Elephant Theatre

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by Laura Kressly

Michael and his best mate Charlie are typical teenage boys – they just want to hang out and play Fifa and party. Michael’s patient girlfriend Liv is often at their side, his mum is there to fret and nag, and his half-brother Josh reliably winds him up. They’re 17 and life is good – until it isn’t.

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Does My Bomb Look Big in This?, Soho Theatre

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by Laura Kressly

Aisha and Morgan have to go to school one day in August, like almost every other 16-year-old in the country, to collect their GCSE results. Their school is different from the rest of the country’s though – news teams are at the gates of Mitcham High reporting on the recent disappearance of Yasmin Sheikh, dubbed ‘terror baby’ by the Home Secretary. Frustrated with her best friend’s depiction in the media and the way she has been treated by the police after Yasmin left for Syria, Aisha is determined to tell the story of the girl behind the headlines and enlists Morgan’s help.

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Funeral Flowers, The Bunker

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by Laura Kressly

CW: rape and sexual assault

Making a bouquet of flowers is more than just bunging some random blooms in a vase. It takes care, thoughtfulness, skill and time to craft something beautiful and unique. People need that same sort of care and nurturing too, especially children and teenagers. This high stakes, solo performance shows the pressures that young women encounter daily, and how much they need support to grow and flourish in a world that is out to exploit them.

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WOW EVERYTHING IS AMAZING, Battersea Arts Centre

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by Laura Kressly

As the world feels more and more like a dystopian nightmare that could explode at any moment from greed and relentless late capitalism, it’s unsurprising that young people are worried about their future. Sounds Like Chaos are a soothing balm for them, though. The associate company at the Albany supports referred and self-referred 12-21 year olds with training, employment opportunities and opportunities to make theatre, treating them with respect and valuing their ideas. Their latest ensemble work is set in the near future, using music, projections and ritual to critique online culture.

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