Justice, Blue Elephant Theatre

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by Laura Kressly

Michael and his best mate Charlie are typical teenage boys – they just want to hang out and play Fifa and party. Michael’s patient girlfriend Liv is often at their side, his mum is there to fret and nag, and his half-brother Josh reliably winds him up. They’re 17 and life is good – until it isn’t.

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Does My Bomb Look Big in This?, Soho Theatre

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by Laura Kressly

Aisha and Morgan have to go to school one day in August, like almost every other 16-year-old in the country, to collect their GCSE results. Their school is different from the rest of the country’s though – news teams are at the gates of Mitcham High reporting on the recent disappearance of Yasmin Sheikh, dubbed ‘terror baby’ by the Home Secretary. Frustrated with her best friend’s depiction in the media and the way she has been treated by the police after Yasmin left for Syria, Aisha is determined to tell the story of the girl behind the headlines and enlists Morgan’s help.

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Funeral Flowers, The Bunker

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by Laura Kressly

CW: rape and sexual assault

Making a bouquet of flowers is more than just bunging some random blooms in a vase. It takes care, thoughtfulness, skill and time to craft something beautiful and unique. People need that same sort of care and nurturing too, especially children and teenagers. This high stakes, solo performance shows the pressures that young women encounter daily, and how much they need support to grow and flourish in a world that is out to exploit them.

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WOW EVERYTHING IS AMAZING, Battersea Arts Centre

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by Laura Kressly

As the world feels more and more like a dystopian nightmare that could explode at any moment from greed and relentless late capitalism, it’s unsurprising that young people are worried about their future. Sounds Like Chaos are a soothing balm for them, though. The associate company at the Albany supports referred and self-referred 12-21 year olds with training, employment opportunities and opportunities to make theatre, treating them with respect and valuing their ideas. Their latest ensemble work is set in the near future, using music, projections and ritual to critique online culture.

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Equus, Theatre Royal Stratford East

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by Laura Kressly

Sex and power rule the world – or at least they do in the 1970s, little England hospital where Peter Shaffer’s play unfolds. A child psychologist, known for his successful rehabilitation of troubled children, is questioning the value and morals of his work. At the same time, he reluctantly takes on a new patient, a young man who inexplicably committed a horrific crime that has rocked the local community. As the pair spar their way through the lad’s therapy sessions, both reveal secrets they are ashamed to keep.

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