Tap Dogs, Peacock Theatre

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by Amy Toledano

Dance shows can be a tough sell, especially those that are strictly tap dancing shows. Luckily for them, Dein Perry’s Tap Dogs is far from an ordinary dance show. Full of tricks, energy and spectacle, this show is thrilling and entertaining from start to finish.

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Isaac Came Home From the Mountain, Theatre503

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by Laura Kressly

Bobby’s a bright, enterprising young man, so when his dad demands he get a job and do something with his life other than get stoned, he does. Desperate to impress his elders but with little sense for his actions’ consequences, Bobby’s series of bad decisions leads to catastrophe. But this new play, laden with thematic complexity, cuts the story short before it has the chance to fully resonate.

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Testosterone, VAULT Festival

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by Meredith Jones Russell

Testosterone is an explosive, energetic, riotous exploration of all things male, asking what exactly it means to be a man.

Rhum and Clay Theatre Company has teamed up with Kit Redstone, who wrote the play based on his own experiences as a trans man, and stars as himself. We meet him as he prepares to walk in to that bastion of machismo – the men’s locker room at the gym – for the first time.

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Stud & If We Got Some More Cocaine I Could Show You How I Love You, VAULT Festival

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by guest critic Gregory Forrest

There are no openly gay male professional footballers currently working in Britain. Of course, there are almost definitely gay male professional footballers currently working in Britain, but the prospect of coming out in a sport well known for its chanting crowds and tabloid-splashing players is a daunting one. Paloma Oakenfold’s new play Stud tackles this issue head on.

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Medea Electronica, Ovalhouse

by guest critic Maeve Campbell

Two months in, and already ‘gaslighting’ appears to be the word of the year. Both Trump and Weinstein, who are often cast as toxically masculine villains in the press, have been accused of implementing such misdirection and manipulation toward their female accusers.

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Boys, VAULT Festival

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by guest critic Ava Davies

Boys, the inaugural piece by physical theatre group The PappyShow, is about exactly that. It’s an exploration of manhood, of masculinity, of what it means to be a man of colour in the UK today. It’s about mess and silliness and play and pain. It’s about the complexity of selfhood – because how can one man possibly contain all these multitudes?

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The Red Lion, Trafalgar Studios

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I have no interest in football, or any other sports for that matter. It’s not for lack of trying, what with growing up in a middle America that reveres sporting ability above all else. So I approach plays about football with caution, wary that my prejudices could sway my judgement. Fortunately, the tempestuous story of two ideologically opposed, minor league football men and the young player caught between them has little to do with the actual game and has a compelling, emotional narrative.

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