Barry Humphries: The Man Behind the Mask, Churchill Theatre

by Bill Dyson

This is a terrific evening in which Humphries appears as himself with no disguises. This show is an exploration of his life and career, and what influenced and prompted him to ultimately become an international star selling out theatres in the West End and on Broadway.

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CONCHA, Brixton House

by Diana Miranda

As part of The Housemates Festival, City Lighthouse Theatre Company presents CONCHA, a one-person show (written and performed by Carly Fernandez) telling a semi-autobiographical story about intersectionality of queer and immigrant experiences in the UK. After the protagonist finds out they’ve contracted an STD, they navigate past and current relationships interacting with multiple characters through voice-overs.

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Eating Myself, King’s Head Theatre

by Diana Miranda

Unfussy and rich – that’s what Eating Myself is, in a good way. Although, one of the key takeaways from this one-woman show is that no rich Peruvian dish goes without a fuss. Eating Myself is an endearing monologue by Pepa Duarte about food that navigates the intersections between body stereotypes, family, traditions and cuisine.

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Feature | Sombreros and Other Stereotypes: rehearsing Playing Latinx

by Diana Miranda

Playing Latinx is a co-production by Guido García Lueches and MarianaMalena Theatre Co. The script is inspired by Guido’s real-life experiences auditioning within the UK theatre and film industries, navigating the exploitation of Latin stereotypes, and the thin line between going harmlessly along and complying with problematic myths. The Latin American theatremakers have devised a one-person show in which they’re doing and saying all the wrong things, Guido tells me, but making sure that people know it’s all wrong.

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Playing Latinx, Camden People’s Theatre

by Laura Kressly

Guido Garcia Lueches is an actor from Uruguay who lives and works in the UK, which means that xenophobia and racism shape his day-to-day life. When he’s not attending auditions where he is asked to embody Latinx stereotypes, he regularly endures microaggressions from British people. This constant stereotyping is so unrelenting that he’s made a satirical, interactive show about the importance of fitting in as a migrant.

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ENG-ER-LAND, Dulwich College

photo: Ali Wright

By Romy Iris Conroy

She shoots, she scores with this one. Waiting for her friends to arrive so they can watch Coventry FC live, we join teenager Lizzie as she takes us on a nostalgic stroll down memory lane to the mid-90s. The show is packed with classic tracks and brand references from the era you may have tried to erase from your memory whilst reminiscing about all the bad outfit choices we made as teens. It’s also full of committed dance moves, chants and audience participation.

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One-Woman Show, Soho Theatre

One-Woman Show Written and performed by Liz Kingsman - Soho Theatre

by Laura Kressly

Over the latter part of the previous decade, a particular demographic raved about the relateability of Phoebe Waller-Bridge’s Fleabag on both stage and screen. This show voiced the sexually liberated, highly educated, white, middle-class millennial women who, though not lacking in representation, felt their plight was previously ignored. Brought up on the mantra that success is theirs to be had, neoliberal capitalism means they now angrily navigate a world that isn’t as easy as expected. Yet despite the difficulties of adulting, their privilege rightly invites critique. Liz Kingsman’s satire of one-woman shows does just that, along with taking aim at the tropes that many one-woman shows rely on. She eviscerates them wholeheartedly using comedy and metatheatre to hilarious effect.

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Rainer, Arcola Theatre

Best 500+ London At Night Pictures | Download Free Images on Unsplash

by Laura Kressly

Rainer isn’t fussed about the sort of day job she does, as long as it gives her the opportunity to meet people. Currently working as a bike courier for Angel Deliveries, the young writer narrates the trips that take her all over London delivering food. Her story is punctuated with anecdotes of getting too involved with customers, as well as escapades with her flatmate, sessions with her therapist, and aching odes to London. Her bicycle, named Jean, takes her on these adventures as well as gives her the means to outride her demons, but ultimately they are quicker than her.

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May Queen, Paines Plough Roundabout

MAY QUEEN - Paines Plough

by Laura Kressly

Leigh’s doing her GCSEs but all she and the girls at school can talk about is the upcoming May Day event, where Leigh’s playing the May queen. She can’t wait to wear the dress she was allowed to choose herself, and wave from the float whilst the entire city of Coventry comes out to watch. What she doesn’t realise is that at 16 years old, Leigh’s had enough of boys and men consuming her body.

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Lovefool, Edinburgh Festival Fringe

Lovefool – Bread and Roses, London - The Reviews Hub

by Diana Miranda

What does dating mean for someone who grew up when cassettes were a thing and fell in love before the era of dating apps? Rachel has just separated from her husband and is back at her mum’s, surrounded by boxes containing memorabilia from the nineties. Among those treasures, she re-discovers Sugar magazine, the ultimate guide to tackling dating. However, being single some twenty years later – when Bumble replaces phone calls – poses a few challenges. 

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