Coming Out Of My Cage (and I’ve been doing just fine), VAULT Festival

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by Matthew McGregor-Morales

Memes, mysteries and musical showboating – the indie karaoke anthem gets a very British tribute.

Tim and Hannah really want it all, so they pack nostalgic pleasure points, one after the other, into their tribute to the Killers’ breakthrough 00’s anthem. “Mr Brightside” hit the UK charts 16 years ago and it hasn’t left since, setting sweaty dancefloors, muddy fields and plush, well-lit living rooms into a comparable frenzy. And those are just my memories.

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Feature | A Day with Oily Cart

Jovana Backovic, Robyn Steward, Mark Foster, Aaron Diaz, Griff Fender, Daniel Gouly in JAMBOREE. Design by Flavio Graff Photo credit Suzi Corker

by Laura Kressly

“Welcome to the glitter zone!”

I’m greeted exuberantly by one of the actors, who are mid-yoga warmup when I arrive. Though I try my best to quietly enter their rehearsal space, I’m flustered by a series of train and tube delays that mean I arrived nearly half an hour after I intended and it’s impossible for me to not be noticed. I self-consciously wave, smile, and settle into the chair that’s closest to the door. There are musical instruments, costume, sound equipment and lots of ‘stuff’ everywhere in their Tooting rehearsal room overlook a school’s playground. And indeed, glitter.

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Exceptional Promise, Bush Theatre

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by Laura Kressly

1. What is ‘Exceptional Promise’?
a. Another name for a UK Tier 1 visa
b. An interactive game show-slash-performance piece
c. A critique of the cesspit that is London’s housing market
d. All of the above

If you answered ‘D’, then you win! You’re one step closer to getting the keys to your dream house. But first – you need to survive the rest of the rounds and beat your other two opponents, otherwise you’re doomed to dodgy landlords and housemates forever.

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Are There Female Gorillas?, Camden People’s Theatre

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by Laura Kressly

The patriarchy has a lot to answer for, including what must be a ridiculous profit margin for the hair removal industry. Women have had it drilled into them, both explicitly and subconsciously, that having body hair is ugly and dirty. So we wax, shave, epilate, thread and laser ourselves to smoothness – and ingrown hairs, razor burn, and expense. Gorilla, the alter-ego of Girl, is sick of it.

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Die! Die! Die! Old People Die!, Battersea Arts Centre

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by Laura Kressly

Time. Generally, I never seem to have enough of it. Occasionally – rarely – I have too much to wade through before reaching something I’m eagerly anticipating – a holiday, the weekend, time with a friend I haven’t seen in awhile, or a desperately needed lie-in. Yet for Norman and Vivian, the elderly couple in Ridiculusmus’ new show about ageing, time is a languid, sluggish force. Every weighty moment is stretched to its limits, threatens to stall, and is marked by discomfort, weakness and struggle.

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And the Rest of Me Floats, Bush Theatre

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By Amy Toledano

Outbox Theatre’s latest show is a celebration of non-binary and transgender people. It honours the blurry lines of gender and brings joy to people that endure prejudice everyday. Devised by the company, it illuminates the emotions of a community that fights to be seen, and through music, spoken word and movement, create vignettes of moments from their lives in which they have been forced to explain themselves, their bodies and their identities.

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Landscape (1989), VAULT Festival

by Joanna Trainor

Please, you’ve got to stop eating the floor mushrooms!

It’s 1989 in Oregon. Political scientist and author Francis Fukuyama has declared it the “End of History” as the Berlin Wall is pulled down and the Cold War is finished. And in the Malheur National Forest in Oregon, mushrooms are popping up all over the place.

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The War of the Worlds, New Diorama Theatre

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by Laura Kressly

Orson Welles’ 1938 broadcast of The War of Worlds caused widespread panic with its reports of an alien invasion in New Jersey. Or did it? Did the newspapers exaggerate the reaction to sell papers, the way websites now use clickbait for hits?

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