West End Eurovision 2019, Adelphi Theatre

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By Amy Toledano

West End Eurovision 2019 didn’t spare a speck of glitter or pulse of pink light for their ninth year at the Adelphi Theatre. Hosted by the sharp-witted Richard Guantlett, the evening brought together casts from some of the most popular West End shows, and battled it out in a Eurovision extravaganza.

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Fiddler on the Roof, Playhouse Theatre

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by Louis Train

When I told my mother I was moving to Russia, she sighed and reminded me that to her, Eastern Europe was a cemetery. Her grandparents had fled during the Russian Civil War, and her parents had grown up watching details of the Holocaust emerge, night by night, like a dark beacon announcing the violent and final end of Jewish life in Eastern Europe.

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Waitress, Adelphi Theatre

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by Laura Kressly

Butter, sugar, flour – these pie crust ingredients form a comforting motif that gets Jenna through each day. There are her solace every morning as she bakes her insecurities, worries and feelings into pies that are served in a small-town American diner. The young waitress is full of hopes and dreams but her story, like the script that contains it, has another ingredient so thoroughly embedded in the narrative that it leaves such a nasty aftertaste that it overpowers everything else.

CW: abuse, abortion, assault

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Come From Away, Phoenix Theatre

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by Amy Toledano

The community of Gander, Newfoundland in Canada, a tiny town with a population of 10,000, were the last people to expect their airport full of planes of stranded passengers on the day of the 9/11 events. However, this is exactly what happened, and as the delightful new musical Come From Away reveals, the townspeople rallied together and did their best to provide comfort to those grounded during the tragedy.

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Thriller Live, Lyric Theatre

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by Louis Train

Thriller Live, the Michael Jackson concert show on the West End, celebrated its tenth anniversary last night with a performance and a reception. The performance was great fun and the reception was tasteful, and the evening, overall, was a success. But I feel there were some lingering questions that neither the personalities on stage nor at the party can answer.

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Pinter Four, Harold Pinter Theatre

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by Maeve Campbell

Pinter Four continues Jamie Lloyd’s Pinter at the Pinter season with the Lyndsey Turner directed Moonlight starring Robert Glenister as ta dying patriarch who bemoans his family’s absence at his death bed to his long suffering wife (Brid Brennan). The second half play Night School, directed by Ed Stambollouian, is a totally different beast from a different Pinter era. Al Weaver plays a disgruntled ex-fraudster who discovers, on his release from prison, that his aunts have let out his bed-room to a mysterious and glamourous young school teacher (Jessica Barden).

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Pinter Three, Harold Pinter Theatre

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by Meredith Jones Russell

Tamsin Greig steals the show in the star-studded third instalment of the six-month season of Harold Pinter’s short plays.

Pinter Three features 11 plays, allowing director Jamie Lloyd to vary tone, pace and style with shorter, more amusing sketches bookended by two more heavyweight works; Landscape and A Kind of Alaska.

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