For King and Country, The Colab Factory

by guest critic Meredith Jones Russell

The recent boom in so-called immersive theatre has seen a whole range of shows bill themselves using the term, when in reality their approach is anything but. However, it can’t be said that For King and Country is anything other than a genuinely immersive experience.

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Quiz, Noel Coward Theatre

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by guest critic Gregory Forrest

On 10 September 2001 – the last day of a different time – Army Major Charles Ingram  won the jackpot of ITV’s ‘Who Wants To Be A Millionaire?’ In the days that followed, the Twin Towers fell and producers of the quiz show made their case against the Major, his wife, and a coughing contestant who supposedly cheated their way to the million pound cheque. As one character observes, take a step back and the whole story sounds too silly to be true. Which is precisely why West-End regular playwright James Graham picks it up.

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Trainspotting Live, Vaults

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by Laura Kressly

Two men pelting it down Princes Street in Edinburgh as a voiceover lists the goals of typical adult life – big tellys, cars, careers – is one of the most iconic moments in British cinema. Ranked tenth by the BFI in its 1999 evaluation of best British films, Trainspotting has left an indelible mark on popular culture.

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Amy Conway’s Super Awesome World, VAULT Festival

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by guest critic Amy Toledano

Amy Conway’s Super Awesome World is an interactive whirlwind full of games, quests and phone calls. When we meet Amy she tells us about the time her Dad bought her her first gaming console, a second-hand Nintendo Entertainment System, and how it changed her life.

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The Quantum Physics of My Heart, VAULT Festival 

by guest critic Meredith Jones Russell

The Quantum Physics of My Heart is a delightful one-woman show inviting the whole audience to take a trip down memory lane to reminisce about the 1990s-2000s, as well as the timeless and universal challenges of being a teenager.

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AI Love You, VAULT Festival

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by guest critic Serena Ramsey

As an audience member, I always love when the actors break the fourth wall I love to feel immersed in the world. Within the play. AI Love You not only immerses us in a world surrounded by Amazon Echoes, drones and hover boards, but gives the audience the chance to dictate the plays structural direction. The power is completely within the hands of the onlookers who are given the role of jury and critics in this snappy and deeply moving play.

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