Screen 9, Pleasance Theatre

Edinburgh Review: Screen 9 at Pleasance @ EICC - Theatre Weekly

by Zahid Fayyaz

This was a big hit at the (limited) Edinburgh Fringe this year, and comes down to north London’s Pleasance Theatre for only two performances. It tells the story of the Aurora, Colorado cinema shooting during the Dark Knight Returns movie premiere, when a shooter killed 13 people during a midnight screening. This is a serious subject for a show, and Piccolo Theatre Company put forward the story using the method of verbatim theatre, with the script constructed from interviews with four survivors of the shooting, some of whom lost someone during the attack.

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head/lining, The Pleasance

by Diana Miranda

The downstairs venue has a combo treat this weekend – an indie-rock gig, a spoken word poetry slam and a solo show. All of that is under the single name of head/lining, a gripping play written and performed by Charlie Heptinstall.

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Express Gilbert and Sullivan, Pleasance Theatre

World premiere of Express G&S at Roman Theatre in St Albans | Herts  Advertiser

by Zahid Fayyaz

This is certainly a different one: a whirlwind, 75 minute-long tour through Gilbert and Sullivan’s most popular operas, with three actors and a pianist in tow to run through all the songs they can fit into that limited time period. Charles Court Opera, a talented and experienced company, do a great job with the songs, with the solo numbers being a particularly wonderful part of the show.

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Ginger Johnson and Friends, Pleasance Theatre

Ginger Johnson – Boyz

by Zahid Fayyaz

Something I had been looking forward to for a while now was the return of cabaret to the stage after lockdown’s easing. This event is an excellent way to restart this particular art form live and in-person. The wonderful evening at the Pleasance was curated by Newcastle’s Ginger Johnson, an associate artist at the theatre and member of Sink the Pink, an LGBTQ+ collective and club night.

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Fix, Pleasance Theatre

Image result for the fix, pleasance theatre

by Laura Kressly

Kevin arrives at his last call-out for the day, a dilapidated house in the middle of a forest near where he grew up. Li Na presents him with a washing machine that no longer spins, but as Kevin attempts to repair it, there are obvious hints that the machine isn’t the only thing that’s broken. Intertwining mythical and personal histories, Julie Tsang’s horror story is a compelling blend of the supernatural and the real.

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Kill Climate Deniers, Pleasance

Image result for kill climate deniers theatre

by Amy Toledano

While the UK is dealing with political transitions and scrutiny, so too is Australia. With the large size of the country and massive environmental threats (a hole in the ozone layer and the destruction of the Great Barrier Reef to name a couple), there are plenty of people trying to make change. However, there is also a group of people who truly believe climate change is a thing of fiction – the climate change deniers.

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Becoming Mohammed, Pleasance Theatre

https://www.londontheatre1.com/wp-content/uploads/2017/05/Becoming-Mohammed1-min.jpg

Director Annamiek van Elst states that, “now more than ever, there is a need to represent narratives around Islam in a positive light”. Too right. Our overly white and insular theatre is trying to diversify, but it still has a long way to go and systemic white, middle class administrations’ unconscious bias to overcome.

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