Resonate, VAULT Festival

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By Zahid Fayaz

This is the first preview performance of a one-man show following Jacob, a young man trying to turn over a new leaf away from his previous life as a hard-living and loving party animal. He’s doing this through Jesus and focusing on his education. He is, however, finding this difficult due to constant interruptions from his friends and ex-girlfriends whilst he is trying to finish an assignment.

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All Quiet On The Western Front, VAULT Festival

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By Zahid Fayyaz

First put on in 2015, this is a welcome return for Incognito Theatre’s adaptation of the novel and film of the life and trials of five German friends on the front during World War One. Fitting it all into an hour-long show is a tough task, but the five talented actors do extremely well to succeed in doing so. With minimal props and using the power of dialogue, they move from initial recruitment to punishing an overly arrogant corporal, to fighting on the front and being forced to reside in a military hospital.

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If This Is Normal, VAULT Festival

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by Zahid Fayyaz

This is a three-person play, following the lives and loves of a brother and sister, and their best friend, from when they first meet at school, to after graduation, to university. Along the way, their close friendship is threatened by various events and miscommunications.  Developed with support from the Soho Theatre development labs, this is a punchy and kinetic show, in which the hour passes by in – almost – the blink of an eye.

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Zoo, VAULT Festival

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by Maxine Smiles

As reporters all over the country zip themselves into their waterproofs to stand in front of wheelie bins that have fallen over in the wake of Storm Jorge, down in the Vaults it’s Hurricane Jonas that is clogging up the airwaves. CNN are filming in the Cherokee Valley Zoo, and have picked the animal handler Bonnie (Lily Bevan) to guide them her day as she prepares the animals for a troubled night.

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L I M B O, VAULT Festival

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by Evangeline Cullingworth

Six young actors, maybe friends or maybe strangers, are stuck. They greet us when we enter and they are kind, but they do look a bit lost. They take turns to share important memories from their childhood, which sometimes fall out as fairytales or pop songs. Fragments of innocent childhoods which have slipped through fingers.

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Dumbledore is So Gay, VAULT Festival

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by Dora Bodrogi

Forget trying to get your Friday Forty tickets to Cursed Child. Dumbledore is So Gay is a play so good you won’t need a philosopher’s stone to give you life.

Meet our hero, Jack – a teenage boy who hates French, got sorted into Hufflepuff, and who is in love with his best friend Ollie. Life is not going to be easy for him growing up gay during the heyday of Harry Potter. His story is told in three acts.

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Essence, VAULT Festival

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by Jade Pathak

Essence explores the theme of loneliness, what it looks like, and its impact on human relationships.  Sarah Henley’s charming, new 60-minute play tells the story of how 32-year-old Elyot’s repetitive, meticulously-timed life which he has full control over gets blown apart when Laquaya – 14, intelligent, gentle, yet loud and argumentative – breaks into his home. It is an incredibly thought-provoking and hugely enjoyable story that everyone can relate to.

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Who Cares, VAULT Festival

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by Becky Lennon

Presented by Just Add Milk (JAM), Conor Hunt’s Who Cares is a powerful and moving piece of theatre which explores the challenges faced in society today because of austerity. We join Jamie (Reece Pantry), who is enjoying a pint in his local pub The Crown, served by the charming bartender Dan (Kyle Rowe), who claims he is the ‘Shakespeare of Swears’. We follow the pair on their journey to create a final send-off for the pub, in hope that they can save their beloved local by showcasing the need for this community space, which is so important to Jamie and Dan in different ways.

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How to Save a Rock, VAULT Festival

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by Jade Pathak

What does it look like when you mix ethical, underground theatre with a Disney-esque musical that follows a heroic, Greta Thunberg-type, a gardener and an enigmatic polar bear? Well, Pigfoot Theatre show us, and it’s a whirlwind of fun for all ages with a live, whimsical score. Sharp, funny and informative, something special has been created here, and the care and love for this production is visible from every detail, from the bike powered lighting strips, to the recycled tin cans.

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How We Love, VAULT Festival

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by Dora Bodrogi

“But it’s getting better, right?”

This is the question I get the most often when I mention institutionalised homophobia in a country I’ve left, Hungary. And it’s not so bad there in this regard, they ‘only’ have a ban on marriage equality, same-sex joint adoption, and Gender Studies. After all, a Pride march isn’t the same without skinheads booing from the cordons, and pulling out of Eurovision because it doesn’t agree with traditional national values (read: because it’s too gay). It could be worse.

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