seven methods of killing kylie jenner, The Royal Court

Seven Methods of Killing Kylie Jenner at the Royal Court Theatre | Theatre  review – The Upcoming

by Laura Kressly

Cleo has finally had enough of Kylie Jenner’s celebrity and with nowhere else to safely vent her frustrations, she takes to her anonymous Twitter account. After her first couple of tweets critiquing Kylie’s appropriation of Black culture, Cleo’s best friend Kara busts in when her concerned Whatsapps are ignored. Their ensuing discussion – that often descends into argument – also covers queerness, friendship, teenage offenses and indiscretions, and the long history of violence Black people have suffered at the hands of whites.

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Theatre for Two, Stanley Arts

Theatre for Two

by Laura Kressly

In the middle of a dark room, I am ushered into what looks like a largish, stand-alone cupboard. With a spotlight above a single chair facing a perspex sheet covered with a window blind, there is an immediate sense of the audience becoming the performer. Given that the four mini-plays making up this event are semi-improvised character pieces relying on audience interaction, this feeling is apt. As much the playlets are highly theatrical and often disarming, they are also intimate and conversational. In a time where many of us are learning how to just be in the same space as another person, unmediated by a computer screen, Theatre for Two is comforting and familiar as well as challenging what has become normal disconnect from people and the world we live in.

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FROSTBITE: Who Pinched my Muff? Garden Theatre

REVIEW: Frostbite, Who Pinched My Muff at the Garden Theatre | Pocket Size  Theatre
Natalie Lomako Photography

by Laura Kressly

The lights dangling over the audience in the intimate pub garden theatre look rather like anal beads. It’s a great choice by lighting designer Richard Lambert because they suit the joyously raunchy tone of this adult panto in Vauxhall, or rather, the charming mountain village Vaüxhallen. The town’s residents we meet over the two hour-long show are all out for some action and adventure – in every sense of the word.

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Big Girl, Bread & Roses Theatre

by Laura Kressly

Emily Jane Rooney longs for a world that doles out praise for being happy rather than being skinny, and where people can comfortably be their true selves. On the other hand, she wants the posh kid she works with to just fuck off. This clever use of contrast – switching from warm and vulnerable, to biting and sharp, and back again – keeps this one-woman show consistently engaging and fun despite a few underdeveloped moments that don’t fully cohere with the rest of the narrative.

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Get Fit With Bruce Willis, online

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by Bryony Rae Taylor

A Faustian farce, Get Fit With Bruce Willis stars Chris Brannick as Mike, an ageing Jimmy Somerville impersonator, on a quest to find fame and fortune. His wife (Karen Kirkup) is looking outside of their marriage for lust and excitement. After figuring out he’s more Harry Hill than Jimmy Somerville in the looks department, he decides to re-brand himself somewhere in the middle – as Bruce Willis.

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Wigs Snatched Perceptions Destroyed, VAULT Festival

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by Amber Pathak

Ever wanted to be famous? Now you can! For the small price of your dignity, you can attend Erinn Dhesi’s “How To Be An Influencer Whilst Alienating People” workshop. The hour-long lecture covers career options, how to boost engagement and, like, a super- important message about identity.

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This Queer House, VAULT Festival

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by Keagan Fransch

Oli and Leah are a queer couple who have just inherited a house. Well, Oli has, and Leah as their devoted, loyal partner has come along for the ride despite her misgivings about what this milestone in normativity will do to their carefully curated queer existence. But with books going missing, wires tripping and odd sounds coming from the basement, it soon becomes clear that perhaps the house is just as unsure of them, as they are of it.

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Dumbledore is So Gay, VAULT Festival

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by Dora Bodrogi

Forget trying to get your Friday Forty tickets to Cursed Child. Dumbledore is So Gay is a play so good you won’t need a philosopher’s stone to give you life.

Meet our hero, Jack – a teenage boy who hates French, got sorted into Hufflepuff, and who is in love with his best friend Ollie. Life is not going to be easy for him growing up gay during the heyday of Harry Potter. His story is told in three acts.

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How We Love, VAULT Festival

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by Dora Bodrogi

“But it’s getting better, right?”

This is the question I get the most often when I mention institutionalised homophobia in a country I’ve left, Hungary. And it’s not so bad there in this regard, they ‘only’ have a ban on marriage equality, same-sex joint adoption, and Gender Studies. After all, a Pride march isn’t the same without skinheads booing from the cordons, and pulling out of Eurovision because it doesn’t agree with traditional national values (read: because it’s too gay). It could be worse.

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Notch, VAULT Festival

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by Dora Bodrogi

CW: war, migration, mental health, homelessness

How do you cope when the promise of the West turns out to be a city in the midst of a housing crisis, and you’re only one pay check away from homelessness? A.A. (Danaja Wass) doesn’t really know.

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