by Laura Kressly
Val is a concerned, elderly citizen of her community. She believes that if everyone followed the rules on refuse disposal and the agreed schedule for mealtimes, every thing would be peaceful and orderly. She also believes that recent arrivals like Tracy, displaced by natural disasters, aren’t her problem.
by guest critic Amy Toledano
It is rare that a new musical has the kind of oomph that Broken Wings has in a run lasting just four days. This show has shown that a brilliant cast, outstanding musicians and phenomenal score can create true magic.
by guest critic Joanna Trainor
“Think Columbine, think Virgina Tech, think Sandy Hook.”
Teenage Ben repeats this again and again in order to calm his nerves when he’s being mercilessly mocked by the football team. Less than two months after the Parkland shootings these words don’t sit right. In Ben’s mouth they sound blasé, and they’re not.
by guest critic Kudzanayi Chiwawa
If you’ve not been to Wilton’s, the oldest grand music hall in the world, it’s a wonderful treat. This tucked away venue, is the stage for the European premiere of Songs For Nobodies, written by acclaimed playwright, Joanna Murray-Smith, directed by Simon Phillips, and performed by Bernadette Robinson.
by guest reviewer Lara Alier
It has always surprised me how popular Lorca is in the UK.
Last night I went to the Cervantes Theatre, where plays are performed both in English and in Spanish. The first thing that catches my eye was the minimalist set design; the wall shows a weaved white pattern and the red floor mimicked big floor tiles.
by guest critic Ava Davies
The raging influence of Alice Birch’s revolt. she said. revolt again. runs through this performance art/theatre piece by Abi Zakarian. The six-strong ensemble of women (not all white, which is good, but it could always be less white) are trying to discuss feminism. Is that even the right word anymore? It’s become bogged down in pop culture references, in mass-produced t-shirts, in discussions about depicting vaginas in art. I HAVE A MOUTH… occasionally feels like it drifts into white feminist territory, as much as it tries to unpick and dissect that movement.
by guest critic Joanna Trainor
Do you have to be responsible for your breasts?
A question you probably never thought you’d have to think about, but The B*easts pushes us to consider the very worst of society as Monica Dolan explores the sexualisation of female children.
