I Malvolio, touring and online

Tim Crouch on 'I, Malvolio,' His One-Man Show at the Duke - The ...

by Euan Vincent

This is Tim Crouch’s retelling of Shakespeare’s Twelfth Night through the eyes of the
blighted and picked-upon puritan, Malvolio. It’s the fourth time Crouch has written such an adaptation, which he hopes will “unlock Shakespeare for young audiences”.

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The Spirit part 2: The Lion, Battersea Arts Centre

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By Euan Vincent

Director Jack McNamara promised very different performances for each part of Thibault Delferiere’s Spirit trilogy. Attending Lion, we begin to see what he means. Audience filter in to find a desolate Delferiere sitting in a cage. Food is once again dangling from the ceiling, but whereas in the first it was an innocent apple, here a large chunk of meat, tantalises Delferiere from above.

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The Place’s Young Critics review: Sexy Lamp at VAULT Festival

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by Cara Lee

Much like Bicycles and Fish, the first show Katie Arnstein performed at the festival, Sexy Lamp is a perfect mix of wit, emotion and more serious points, that reflect both her own experiences and the experiences of the majority of women with misogyny, perfectly. In this show, the second of her trilogy It’s A Girl!, she moves on to her first experiences trying to make it in London in the world of acting, once again discussing her struggles against misogyny.

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Ask Me Anything, VAULT Festival

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by Meredith Jones Russell

Georgie Coles, Rosie Doonan and Kylie Perry asked young people across the UK, born and brought up on Whatsapp, Google and Instagram, to write in and ask them anything, anything at all. They then created Ask Me Anything to provide them with some answers.

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All Wrapped Up, Stratford Circus

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by Laura Kressly

Oily Cart makes gently immersive, highly sensory performances for people under five years old, and people with complex needs. This winter-themed touring show for little ones takes them into a world of colourful lights, dark shadows and sparkly parcels that reveal an array of treasure, from reams of bubble wrap, to coloured lights to a magnificent puppet constructed out of cellophane. As lights dim and glow amidst the white drapes and shimmering cushions, children are invited to explore the tactile, etherial landscape that evokes the the wonder of unwrapping presents on a snowy Christmas morning.

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Once, Fairfield Halls

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by Laura Kressly

Made for a mere €112,000, Once is an award-winning, hit indie film. It’s easy to see why in the stage adaptation that has been running regularly around the world since 2011. The melancholic, Irish music performed by actor-musicians and the almost-love story set this show apart from the bold, brash showiness of musicals that stick more closely to traditional forms. It’s appeal lies in the story’s delicate balance of tapping into that tender part of the heart that sadly knows happily-ever-afters aren’t real, and the unrequited celebration of music’s power to bring people together.

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