Legally Blonde, New Wimbledon Theatre

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by guest critic Amy Toledano

The story of Elle Woods is one that many people are familiar with, and from the way the New Wimbledon Theatre was buzzing with excitement for it’s press night, it remains clear how many hold Legally Blonde close to their hearts. We have seen numerous productions of this show since it opened on Broadway in 2007, many of which have tried their best to be differentiate from the original. This version is no different.

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Our Country’s Good, Theatre Royal Stratford East

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by an anonymous guest critic

Ramps to the Moon’s Our Country’s Good delivers a production that seamlessly integrates actors with and without disabilities to produce excellent all round performances. Originally written by Timberlake Wertenbaker in 1988, it tells the extraordinary true story of a group of convicts in Australia, who in 1797 with the help of an officer, rehearse and perform a play despite the odds being stacked against them due to strong opposition from the other officers at the settlement.

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Trainspotting Live, Vaults

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by Laura Kressly

Two men pelting it down Princes Street in Edinburgh as a voiceover lists the goals of typical adult life – big tellys, cars, careers – is one of the most iconic moments in British cinema. Ranked tenth by the BFI in its 1999 evaluation of best British films, Trainspotting has left an indelible mark on popular culture.

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The Drill, Battersea Arts Centre

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by Laura Kressly

‘See it. Say it. Sorted.’

Every Londoner knows this slogan from the British Transport Police encouraging us to be vigilant as we go about our days. Be alert, and if you see something suspicious, report it.

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The Claim, Shoreditch Town Hall

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by Laura Kressly

The sickly, yellow lights of a featureless meeting room are making Serge thirsty. He just wants some water, to tell his story and get back home to Streatham. An unnamed woman and man try and fail to listen to him, but they’re more concerned with whether his story is the kind that would enable their Western, colonial notion of helping.

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The Tin Drum, Shoreditch Town Hall

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Oskar is a child of myth and legend. Or maybe he’s just bad-tempered and noisy. Either way, he comes into a fictional world of darkening shadows that’s clearly pre-WWII Europe. Born with a fully adult brain, he looks down on most people around him but has simple, childish request – that his mother buys him a tin drum.

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Hansel & Gretel, Museum of Childhood

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I’ve never been to the V&A’s Museum of Childhood, let alone after hours. But in the expansive hall and gift shop, one corner has been set up as a playing space for Popup Opera’s Hansel & Gretel. There are shelves of toys and other souvenirs behind us, and sterile glass display cases behind the stage. Our cozy pocket in the grand room has a sinister gloom surrounding what with the autumn evening’s quickly fading light. It’s a suitable space for a story that mostly takes place in the woods overnight, when fairies and witches come out to play.

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