Theatre for Two, Stanley Arts

Theatre for Two

by Laura Kressly

In the middle of a dark room, I am ushered into what looks like a largish, stand-alone cupboard. With a spotlight above a single chair facing a perspex sheet covered with a window blind, there is an immediate sense of the audience becoming the performer. Given that the four mini-plays making up this event are semi-improvised character pieces relying on audience interaction, this feeling is apt. As much the playlets are highly theatrical and often disarming, they are also intimate and conversational. In a time where many of us are learning how to just be in the same space as another person, unmediated by a computer screen, Theatre for Two is comforting and familiar as well as challenging what has become normal disconnect from people and the world we live in.

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I Malvolio, touring and online

Tim Crouch on 'I, Malvolio,' His One-Man Show at the Duke - The ...

by Euan Vincent

This is Tim Crouch’s retelling of Shakespeare’s Twelfth Night through the eyes of the
blighted and picked-upon puritan, Malvolio. It’s the fourth time Crouch has written such an adaptation, which he hopes will “unlock Shakespeare for young audiences”.

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The Spirit part 2: The Lion, Battersea Arts Centre

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By Euan Vincent

Director Jack McNamara promised very different performances for each part of Thibault Delferiere’s Spirit trilogy. Attending Lion, we begin to see what he means. Audience filter in to find a desolate Delferiere sitting in a cage. Food is once again dangling from the ceiling, but whereas in the first it was an innocent apple, here a large chunk of meat, tantalises Delferiere from above.

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The Place’s Young Critics review: Sexy Lamp at VAULT Festival

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by Cara Lee

Much like Bicycles and Fish, the first show Katie Arnstein performed at the festival, Sexy Lamp is a perfect mix of wit, emotion and more serious points, that reflect both her own experiences and the experiences of the majority of women with misogyny, perfectly. In this show, the second of her trilogy It’s A Girl!, she moves on to her first experiences trying to make it in London in the world of acting, once again discussing her struggles against misogyny.

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Ask Me Anything, VAULT Festival

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by Meredith Jones Russell

Georgie Coles, Rosie Doonan and Kylie Perry asked young people across the UK, born and brought up on Whatsapp, Google and Instagram, to write in and ask them anything, anything at all. They then created Ask Me Anything to provide them with some answers.

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All Wrapped Up, Stratford Circus

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by Laura Kressly

Oily Cart makes gently immersive, highly sensory performances for people under five years old, and people with complex needs. This winter-themed touring show for little ones takes them into a world of colourful lights, dark shadows and sparkly parcels that reveal an array of treasure, from reams of bubble wrap, to coloured lights to a magnificent puppet constructed out of cellophane. As lights dim and glow amidst the white drapes and shimmering cushions, children are invited to explore the tactile, etherial landscape that evokes the the wonder of unwrapping presents on a snowy Christmas morning.

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Once, Fairfield Halls

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by Laura Kressly

Made for a mere €112,000, Once is an award-winning, hit indie film. It’s easy to see why in the stage adaptation that has been running regularly around the world since 2011. The melancholic, Irish music performed by actor-musicians and the almost-love story set this show apart from the bold, brash showiness of musicals that stick more closely to traditional forms. It’s appeal lies in the story’s delicate balance of tapping into that tender part of the heart that sadly knows happily-ever-afters aren’t real, and the unrequited celebration of music’s power to bring people together.

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Feature | Favourite Theatre Moments of 2019

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by Laura Kressly

Determining a Top 10 has become increasingly troublesome what with the amount of work reviewed by guest critics and the even larger amount that we get invited to but aren’t able to see. So, rather than a more traditional ‘best-of’ list, here’s a totally subjective list of a few of my favourite things – in no particular order – from theatre and performance in 2019.

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Kneehigh’s Ubu!: A Singalong Satire, Shoreditch Town Hall

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By Laura Kressly

It’s election day in Lovelyville, a place that lives up to its name and is the exact opposite of Britain at the moment. Its citizens are friendly, cheerful and compassionate, and when Nick Dallas is reelected president, things should keep ticking on quietly as usual. Of course, people can’t leave well enough alone and good things never last forever – Mr and Mrs Ubu have just arrived in town with sinister ambitions. 

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