Beauty and the Beast, King’s Head Theatre

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by Amy Toledano

Fat Rascal Theatre Company has created magic in their gender-swapped, musical parody of Beauty and the Beast. This show offers an interesting look at the ideologies behind most classic fairy tales and quite literally turns it on its head with a sharp book, catchy score and brilliant performances.

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Spring Awakening, Stockwell Playhouse

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by Amy Toledano

Held holy by many musical theatre enthusiasts, Spring Awakening is about the turmoil and angst of growing up. The pain of self-discovery and the frustrations at growing up rapidly, and still being treated as a child by the adults around you, are one of its primary themes. And while The British Theatre Academy did their best to relay this to their audience, unfortunately they only remained at a surface level – it never really goes to the dark and vulnerable places that this show so desperately requires to make an impact.

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Breakfast, VAULT Festival

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by guest critic Lara Alier

Visual poetry, movement and live music. Words that float and linger in the air like these two performers in the space.

Marah Stafford and Nicolas Hart perform a physical theatre piece devised from the poems of Jacques Prévert. The whole show is accompanied by Ben Murray on the accordion and piano.

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