Fagin’s Twist, The Place

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By Laura Kressly

Charles Dickens’ story of the orphan boy who nicely asked for more dinner in an orphanage before training to become a pickpocket is here refocused on the older ringleader of Victorian London’s underworld, Fagin. In the musical and film, little is shared of Fagin’s backstory.  But it is the beginning of this contemporary dance piece in two acts.

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42nd Street, Drury Lane Theatre

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by Amy Toledano

It’s the early 1930’s and, “Julian Marsh is puttin’ on a show!”. Pretty Lady is the latest production from the famous director, and all of the local, out-of-work actors are thrilled to have jobs again. But show business is never easy, and this one in particular is no stranger to the trials and tribulations that come with rehearsing a smash hit.

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SHIFT, Edinburgh Fringe Festival

by guest critic Rebecca JS Nice

Barely Methodical Troupe members Louis Gift, Esmeralda Nikolajeff, Elihu Vazquez and Charlie Wheeller​ are bound together by their reliance on each other to lift, and catch so that very little happens independently. SHIFT plays with balance, direction and suspension by adding an object to the ensemble that has the strength and flexibility to bear weight and change gravitational paths. A giant elastic band acts as a naughty fifth body and limb, changing up the choreography and providing endless opportunities for play and experimentation.

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A herd of Zoo shows, Edinburgh Festival Fringe

by Laura Kressly

Over the last few years, Zoo has been quietly building its reputation as a venue, breaking the stranglehold that the Big Four and Summerhall have on high-quality work. With a loose focus on physical theatre and performance, they boast a programme varied in style, but also in quality.

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She-Wolves, Edinburgh Festival Fringe

by guest critic Rebecca JS Nice

I took a punt with She-Wolves on a rainy day in Edinburgh at Greenside. A historian and feminist myself, a title like She-Wolves is right up my alley. As well as that, the rising status of gender history and a search for female heroines across the arts makes it a piece of its time.

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No Kids, Edinburgh Festival Fringe

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by Laura Kressly

George Mann and Nir Paldi founded Theatre Ad Infinitum over a decade ago and have toured the world with their socio-political devised work since. From sci-fi dystopias to Mexican factories, their searing productions draw on physical theatre and international performance to create distinctive shows with powerful commentary.

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