by Laura Kressly
Lou and Tosh aren’t long out of uni. They’re housemates and best friends who share everything with each other, including their rejection of society’s expectation of young women to want a serious, monogamous relationship with a man. However, their opposing approaches cause some friction between them, people grow and change, and friendships between girls and women are extremely complex, so the feminist utopia they’re trying to create may not be as perfect as they hope.
by Laura Kressly
Determining a Top 10 has become increasingly troublesome what with the amount of work reviewed by guest critics and the even larger amount that we get invited to but aren’t able to see. So, rather than a more traditional ‘best-of’ list, here’s a totally subjective list of a few of my favourite things – in no particular order – from theatre and performance in 2019.
by Laura Kressly
Night can be a time of rest and escape, or mystery and danger where anything can happen. For people with chronic illnesses, vampires lurk in the darkness whilst those around you sleep. In the wee hours of the morning, playwright Eve Leigh seeks refuge online from her pain and corporeal limitations. Whilst it’s all too easy to condemn the downsides of an extremely online lifestyle, Leigh celebrates its ability to fly her around the world when her body lets her down. This millennial fever-dream of memories, horror stories and conspiracy theories blur the real and the internet’s dark corners as two actor/avatars and colour-soaked design convey the realities of a life punctuated by an uncooperative body.
By Laura Kressly
John Daniel and Noni are the last people on Bear Ridge Mountain. The butchers/petrol station/corner shop that has been in the family for decades is long closed. The village below them is abandoned and planes fly threateningly over head. As they bide their time in this empty, Beckettian hellscape crowded with the ghosts of fraying memories, a stranger appears out of the snow and threatens what little stability they have left.
by Laura Kressly
A new Caryl Churchill play is a special occasion, but four at once is a treat. Radically different in tone and theme, this collection ranges from pleasantly surreal to shocking and strange. Though they stand alone as short plays, as a whole they take on an array of society’s ills – but the pronounced concepts that Churchill is known for occasionally stale here, despite regular moments of brilliance.
by Romy Foster
Kylie Jenner has just been announced as the world’s first ‘self-made billionaire’ and Cleo is VEX. Feeling this is undeserved, she has launched a tirade of tweets from her anonymous Twitter account @Incognegro about how to kill a social media entrepreneur or, as Cleo thinks of her, a ‘con artist-cum-provocateur’. She is now shut in her bedroom receiving persistent whatsapps from best friend Kara, who is worried about Cleo’s online rant.
By Gregory Forrest
Three unique family gatherings across three decades are marked by three ruined meals. The undercooked rice, untouched takeaway, and burnt lasagne are like a middle finger to the idea of the ‘hearth’, in this epic family drama that struggles to lift off the ground.
