Egg: Richard Pictures, Edinburgh Festival Fringe

Egg

by guest critic and photographer Esther Moorton

Egg may be a comedy, but the underlying message behind the sketches is that women are still underrepresented in comedy, in the workplace and are still being objectified. “Hello, my name is Sharon” is the tagline for this show and serves as a reminder that any one of us can be subjected to sexism and objectification.

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Sparks & Cry God for Harry, England and St George!, Edinburgh Festival Fringe

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by Laura Kressly

Using the word ‘strong’ to describe women and girls is redundant. Putting up with all the trash that women have to deal with as a result of their gender, on top of everything else life throws at them, makes them strong by default. If they are queer, women of colour, disabled, working class, or fall in any other category that others them, this makes them even tougher because life is all the harder.

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Fringe Wives Club: Glittery Clittery, Edinburgh Festival Fringe

by guest critic Joanna Trainor

“We’re not here for your pleasure.” “Consent is hot.” The Fringe Wives Club need some merch with these slogans on. Glittery Clittery has everything you need for a cult feminist disco, plus a labia costume.

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Polaris, Edinburgh Festival Fringe

by Laura Kressly

Val is a concerned, elderly citizen of her community. She believes that if everyone followed the rules on refuse disposal and the agreed schedule for mealtimes, every thing would be peaceful and orderly. She also believes that recent arrivals like Tracy, displaced by natural disasters, aren’t her problem.

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Othello, Shakespeare’s Globe

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By Laura Kressly

Who knew one of Shakespeare’s greatest tragedies could be funny? Director and composer Claire van Kampen has tapped into a rare rhythm that sees Iago as a weaselly, clownish man lacking power and finesse, yet still manages to twist Othello into knots. Played by Mark Rylance, one of the finest actors of his generation, his performance is the strongest feature of this production.

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Home I’m Darling, National Theatre

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by Laura Kressly

Judy loves the 1950s. Nay, she’s obsessed with the era. Frustrated and tired by the demands of modern life, she and her husband Johnny have kitted out their home with authentic fixtures and fittings, and have dedicated themselves to maintaining a ’50s lifestyle. Are they happy living like they did in the good ole’ days, though?

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