She Sells Sea Shells, Edinburgh Festival Fringe

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by Laura Kressly

Mary Anning was a working class fossil hunter from Lyme Regis. She and her dad would sell their finds to the posh, Victorian collectors who wanted to horde artefacts without digging them out of the cliffs themselves. She became known as one of the best fossil hunters in the country, but her discoveries of new dinosaur species and their impact on science were, of course, attributed to wealthy men.  Now, about 200 years later, Mary’s tired of being ignored – so she hijacks a lecture about her work.

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Ladylike, Arcola Theatre

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by Nastazja Somers

Casa Festival, London’s largest Latin American arts festival is an annual event that is not
to be missed. Some of the most groundbreaking and refreshing work I’ve seen in my 8 years in London was staged at Casa, including the incredible, heart-stopping 2017 production of Mendoza, a Mexican adaptation of Macbeth. British theatre reflects British society so to say a resistance to staging international work is quite present would be an understatement.

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10 Things I Hate About Taming of the Shrew, Greenwich Theatre

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by Meredith Jones Russell

“When men insist on telling women’s stories for them, not only do they miss the point of telling a story, but they tell it wrong too.”

Armed with a glitzy jacket, a notebook and a whole lot of anger, Gillian English uses William Shakespeare’s Taming of the Shrew and it’s 1999 teen adaption 10 Things I Hate About You to explore gender roles in traditional and modern art and how they shape us as a society.

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Hotter, Soho Theatre

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by Christina Bulford

How well do you know your inner critic? When you look in the mirror, what does she or he whisper in your ear, or shout loudly in your face? “Too fat! Too skinny! Too jiggly! Not hot enough!” Ell Porter and Mary Higgins have not only listened to these voices, they’ve let them out of their heads and, unabashed, onto the stage – from fat to fitness, men to menopause, dildos to doctor’s surgeries, periods to poo and all the body bits in between. As former lovers they claim to know each other extremely well, inside and out, and go to great lengths to get to the bottom of all this body-business. Pun absolutely intended.

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Funeral Flowers, The Bunker

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by Laura Kressly

CW: rape and sexual assault

Making a bouquet of flowers is more than just bunging some random blooms in a vase. It takes care, thoughtfulness, skill and time to craft something beautiful and unique. People need that same sort of care and nurturing too, especially children and teenagers. This high stakes, solo performance shows the pressures that young women encounter daily, and how much they need support to grow and flourish in a world that is out to exploit them.

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10, Vault Festival

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by Laura Kressly

It’s no secret that history has been written by rich white men, and anyone not a rich white man is sidelined in textbooks and scholarship. Though institutions are starting to decolonise and de-centre the narrative that is widely taken as fact, women still aren’t getting the attention they deserve and change is slow. In 10, playwright Lizzie Milton wants to redress the balance. The potted stories of 10 women who have been largely forgotten in the passage of time unfold in choral celebration, serving to both educate and enlighten audiences.

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