Conquest, VAULT Festival

by guest critic Meredith Jones Russell

Conquest plays with narratives and points of view to deliver a hilarious if sometimes predictable exploration of feminism and consent.

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The House of Bernada Alba, Cervantes Theatre

Image result for house of bernarda alba, cervantes theatre

by guest reviewer Lara Alier

It has always surprised me how popular Lorca is in the UK.

Last night I went to the Cervantes Theatre, where plays are performed both in English and in Spanish. The first thing that catches my eye was the minimalist set design; the wall shows a weaved white pattern and the red floor mimicked big floor tiles.

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Girls & Boys, Royal Court

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by Laura Kressly

A woman stands on a pastel blue stage and starts at the beginning. She tells us a love story – how she met a man in an airport, fell in love and built a life with him. Great jobs, a family, a house, the full works. It’s perfect. Until it’s not.

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I Have a Mouth and I Will Scream, VAULT Festival

by guest critic Ava Davies

The raging influence of Alice Birch’s revolt. she said. revolt again. runs through this performance art/theatre piece by Abi Zakarian. The six-strong ensemble of women (not all white, which is good, but it could always be less white) are trying to discuss feminism. Is that even the right word anymore? It’s become bogged down in pop culture references, in mass-produced t-shirts, in discussions about depicting vaginas in art. I HAVE A MOUTH… occasionally feels like it drifts into white feminist territory, as much as it tries to unpick and dissect that movement.

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Medea Electronica, Ovalhouse

by guest critic Maeve Campbell

Two months in, and already ‘gaslighting’ appears to be the word of the year. Both Trump and Weinstein, who are often cast as toxically masculine villains in the press, have been accused of implementing such misdirection and manipulation toward their female accusers.

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