Adam, Battersea Arts Centre

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By Laura Kressly

Adam Kashmiry is a man that was born in Egypt in a woman’s body. From a young age, he knew his soul didn’t align with the gender he was assigned at birth, but it wasn’t until he discovered the internet as a teenager that he found a word for this.

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Prom Kween, Edinburgh Festival Fringe

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by Laura Kressly

If you were anything other than one of the popular kids, you probably hated school. Matthew’s in the process of coming out as nonbinary so they’re obviously having a bad time of it. Luckily, their best friend Binkie and his fairy godmother RuPaul have their back in this messy, glittery musical ode to being different.

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Testosterone, VAULT Festival

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by Meredith Jones Russell

Testosterone is an explosive, energetic, riotous exploration of all things male, asking what exactly it means to be a man.

Rhum and Clay Theatre Company has teamed up with Kit Redstone, who wrote the play based on his own experiences as a trans man, and stars as himself. We meet him as he prepares to walk in to that bastion of machismo – the men’s locker room at the gym – for the first time.

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Bullish, Camden People’s Theatre

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Asterion wanders through the night, in a world that doesn’t really fit them. The minotaur of Greek myth, Asterion is the only one of their kind to exist. Asterion is bull-ish, neither human nor bull. Or, both human and bull. Either way, they’re on the hunt for adventure and way out of a labyrinth.

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Hir, Bush Theatre

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Issac is returning home after a three-year stint as a US marine where his job was to pick up body parts after front line attacks. He longs for the peace and quiet of his nuclear family and the familiarity of middle America so he can make peace with the demons of war. But on opening the door of the house he grew up in, he discovers a revolution has taken place on the home front. After a stroke turned his father into a near vegetable, his mother is avenging years of abuse. His sister Maxine has transitioned to Max. Both mom and Max have rejected social conventions and are living in an anarchic mess of laundry, dishes and socio-political soundbites.

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The Mutant Man, Space Arts Centre

315_The Mutant Man @ The Space. Photo by Greg Goodale

By guest reviewer Maeve Campbell

Contemporary pop culture is awash with true crime stories: NPR’s Serial, HBO’s The Jinx and Netflix’s Making of a Murder are just a few titles that have recently gripped public imagination. It is therefore not surprising that two plays about the life of Harry Crawford, born Eugenia Falleni in 1875, have been dramatised in the last few years. The Trouble with Harry by Lachlan Philpot played in Melbourne in 2014 and now Christopher Bryant’s The Mutant Man comes to the Space Arts Centre.
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