An Adventure, Bush Theatre

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by Laura Kressly

Jyoti crouches on the floor rearranging five photographs, frowning with much consternation. A man emerges from the storm outside, awkward and in an ill-fitting suit. Jyoti must decide if this is the man whose promises of an adventure in the one who will change her life forever, or if it is to be another. But chose she must, for it’s 1954 in India and her father needs the extra income that will come from marrying off his daughter.

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147 Hz Can’t Pass, Edinburgh Festival Fringe

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by Laura Kressly

Ink Asher Hemp (they/them) is trans nonbinary. They are taking up space and they are not apologising in this one-person show with a bit of spoken word that overviews trans and queer issues.

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A roundup of the Roundabout, Edinburgh Festival Fringe

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Paines Plough’s flatpackable Roundabout theatre is one of the most exciting new writing venues of the fringe. Tucked in the rear courtyard at Summerhall, the intimate, domed space features several plays spotlighting Britain’s working class this year. From Scottish school gates to a Yorkshire village, the best writing here this fringe wrenches theatre’s narratives away from the privileged classes.

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Flesh and Bone, Soho Theatre

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by guest critic Amy Toledano

This tour-de-force of a show is a love letter to the last of the East End geezers and birds alike who, just like everybody else, want to live their lives the way they please, free from societal pressure and judgement. Written, directed and performed by the brilliant Elliot Warren and Olivia Brady, the story has been brought to life through many a real life experience, as they detail the grit, violence and love they dish out and take in everyday.

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Isaac Came Home From the Mountain, Theatre503

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by Laura Kressly

Bobby’s a bright, enterprising young man, so when his dad demands he get a job and do something with his life other than get stoned, he does. Desperate to impress his elders but with little sense for his actions’ consequences, Bobby’s series of bad decisions leads to catastrophe. But this new play, laden with thematic complexity, cuts the story short before it has the chance to fully resonate.

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