Hir, Bush Theatre

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Issac is returning home after a three-year stint as a US marine where his job was to pick up body parts after front line attacks. He longs for the peace and quiet of his nuclear family and the familiarity of middle America so he can make peace with the demons of war. But on opening the door of the house he grew up in, he discovers a revolution has taken place on the home front. After a stroke turned his father into a near vegetable, his mother is avenging years of abuse. His sister Maxine has transitioned to Max. Both mom and Max have rejected social conventions and are living in an anarchic mess of laundry, dishes and socio-political soundbites.

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My Country; a work in progress, Theatre Royal Stratford East

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After 52% of 72% of the British voting population voted to leave the EU, Rufus Norris’s concern that London theatre was out of touch with the majority of British people drove him to launch a nationwide project of listening. He sent a team of ‘gatherers’ to all corners of these sceptered isles, and they collected 70 interviews from people up and down the country. The transcriptions combined with text by Carol Ann Duffy gave birth to My Country; a work in progress.

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The Misanthrope, Drayton Arms

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Exchange Theatre sets The Misanthrope in a contemporary newsroom full of gossip, affairs, backstabbing and cocaine-fueled all-nighters. Alceste loathes the way his colleagues behave, but fancies the flirtatious Celimene in spite of his prejudices. His jealousy and inability to be polite to his colleagues causes a litany of issues that play out over their broadcasts, eventually leading to his lonely downfall.

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The Enchanted, Bunker Theatre

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York and Arden are two men on America’s death row waiting to die. An investigator, known to the prisoners as The Lady, works night and day to save their lives. The similarly unnamed chaplain does the same to save their souls. As the two piece together the pasts of the men about to meet their deaths, a physical theatre ensemble and extracts from Rene Denfeld’s poetic novel The Enchanted creates a dreamlike, romanticised view of poverty-stricken rural America and the killers it breeds.

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Ponyboy Curtis vs., The Yard

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Trying to write about Chris Goode’s latest Ponyboy Curtis show vs. is like trying to fit a hurricane into a canning jar. The energy, love and freedom on the Yard’s stage is irrevocably alive and unrestrained, and trying to pin this one-of-a-kind butterfly onto a page kills it a little, or a lot. So take this review as a tiny sample of an extravagant banquet that can only be fully experienced directly.

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I Am My Own Wife, Wimbledon Studio Theatre

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Charlotte von Mahlsdorf was a collector and museum curator in East Berlin who survived WWII and the the Stasis, and murdered her abusive father when she was a teenager. More remarkably, she was transgender. I Am My Own Wife is primarily her biography and a tribute to her achievements, but also the research process by playwright Doug Wright. Wright set out to make a play about her, but was so affected by her stories that his reactions make their way into the text. It deservedly won all major American theatre awards after its Broadway premier in 2003, but Unusual Theatre Company’s production doesn’t serve the text as well as it could.

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35 Amici Drive, Lyric Hammersmith

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Council block 35 Amici Drive and the pub attached to it are earmarked for demolition. Luxury flats and commercial retail units will replace it, and plans to rehouse current residents are vague. Money-grubbing developers and local counsellors push for “positive change” but those who live there are having none of it.

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