by Laura Kressly
Between Ben Yeoh and David Finnegan, there’s an impressive array of interests, knowledge and skills. Theatre, economics and climate change are among them. Their lecture-performance amalgamates these three topics into an engaging, informative and interactive presentation that gives a wide-angle view on what we can do to save the planet.
by Euan Vincent
In 2002, Suzan-Lori Parks set herself the task of writing a play a day for 365 days. Parks
would eventually release the performing rights for $1 per play, sparking a continent-wide theatre festival that took Parks’ work, and theatre, to a host of new audiences and venues. Theatre Uncut follow a similar ethos.
by Amber Pathak
Making a show political without feeling like a rant is a tough nut to crack; too much seriousness and you’re the news, not enough and you look misguided. The company Papergang Theatre make it look easy. They’ve incorporated just about every performance medium: dance poetry, lecture, video. This is proof that less is not always more.
by Amber Pathak
Smoke fills the room, we’re all sitting upright in stiff wooden pews, and in the distance a steady drip echoes off the walls. Is this part of the show or is there a leak in the roof? I wonder. Either way it’s very atmospheric.
A spotlight pierces the darkness, illuminating her. As she goes on, it feels more like a sermon. There is a holiness about the whole effect that is totally compelling.
by Lizzie Jackson
In the dark and atmospheric Cavern at the Vaults, theatre company Long Distance present us with their first play, Omelette. It explores many of the important questions on the climate crisis. How far should we go to save the planet? How far is too far? Does it make a difference? Should we give up coffee forever?
by Zahid Fayyaz
A site-specific play with a slight immersive element for the audience, this is the latest
production from new company Bee in my Beanie. They establish a framing sequence consisting of the Archivist Society looking at a ‘story’, with the head archivist portrayed as a magnificent, giant puppet. This is mainly the story of Aamira and Gad, two children on opposite sides of a border conflict, forced to come together following a sudden loss.
By Zahid Fayyaz
Given the state of our current world leaders, this play is certainly a timely one to put on. It follows Mo, the newly elected Head of State of Nechora – a country so tiny, it’s literally not even on the map. Due to the seemingly insignificant size of his country, the congratulatory phone calls from the world leaders turn into impromptu therapy sessions, and Mo is suddenly privy to the thoughts and secrets of some of the world’s most powerful people. He hopes he can use this access to help his country, but things start going wrong.