Forgotten, Arcola Theatre

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By Laura Kressly

Old Six and his wife Second Moon are poor but have a new baby. Eunich Lin is constantly ridiculed for his lack of balls and family’s poor timing. Big Dog doesn’t know his real name and loves smoking a bit too much. Apart from the love of performing Chinese opera to their friends and families, there’s little else that brings joy to this rural village in Shandong Province. But when the villagers hear that the British and French are recruiting men to work in labour camps to support the WWI troops, this could be a way to change their fortunes.

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A Kettle of Fish, Yard Theatre

by Helen Murray

By Laura Kressly

Lisa is on a work trip with two colleagues. Things at home are a bit stressful and she normally isn’t included at this level of project management, but she’s fine. Not long into the flight, an attendant asks to have a word with her at the front of the plane. The devastating news she receives sets off a chain reaction of grief, anger and meltdowns. As Lisa tries to hold it together in front of the other passengers, reality slips from her grasp. 

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Translations, National Theatre

National Theatre

By Laura Kressly

Mud covers the Olivier stage. It’s dark, nearly black, thick and peaty. The ‘emerald’ part of the Emerald Isle is pointedly absent. The muck’s heavy and pervasive, working its way into every crevice of the rural hedge school where students of all ages learn Latin and Greek. They don’t mind the mud. But the British soldiers that come with their imposing colonisation, also working its way into nook and cranny? That’s where the villagers take issue.

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Left My Desk, New Diorama Theatre

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by Laura Kressly

Becca gets to work at the local council and is immediately bundled into a police car. She’s not in trouble, but one of the people on her caseload is. She and her colleague Craig go to hospital to see a little girl that ‘fell out of bed’. Or to a shelter to meet with a young woman who is pregnant and addicted to huffing hairspray. Or to a school to check on a teenager being groomed by drug dealers. Every day she fights for their safety within a system on the brink of collapse. But how long can she go on like this?

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Pyar Actually, Theatre Royal Stratford East

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by Laura Kressly

Polly lives in Gravesend, has a good job at the council, a husband and two children. Life is…fine. No, really – she insists all is well. Other than a few meddling Aunties and standard marital discontent, it’s fine. Then Bali, her school boyfriend, calls her after 20 years. He’s in town, and would she like to meet for a coffee?

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Grotty, Bunker Theatre

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by Laura Kressly

At 22 years old, Rigby is a troubled, naive lesbian navigating the dating and club scene where everyone knows everyone else. The awkward, bumbling young woman just wants to get fucked and fucked up at the weekends – but between the nasty gossip and incomprehensible social politics, her good intentions are exploited. Though this stark, unsentimental view of the London queer scene has moments of comedy and poignancy, the rambling script lacks a focused and coherent journey.

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