by guest critic Meredith Jones Russell
How to Be a Londoner in an Hour is part of a “politically charged” season at new venue Centre17 in Walthamstow. “Politically charged” wouldn’t be the most obvious way to describe How to Be…, unless you count repeated references to Boris Johnson, who hasn’t actually been London mayor for two years.
by an anonymous guest critic
Isobel Rogers delivers a spectacular one-woman performance, collating humorous millennial moments and sharing them in a unique musical format. As the show opens Rogers takes on the persona of ‘Elsa’, a bored, overqualified waitress who is dreaming of a life beyond her bill-paying day job, where she can actually do the career which she has a degree in. This is certainly a scenario most of the creative audience can relate to.
by guest critic Ava Davies
On the first page of WHITE’s playtext, Koko Brown writes, “This play is for anyone who has ever felt like the other”.
“You have the best of both worlds/ But you still have to pick a world/ You have to pick a side”
by Laura Kressly
We may not be living in a war zone, but everyday life is a series of battles to be won or lost. These tiny fights may be life or death in the moment, but can feel silly, meaningless or absurd from an outsider’s perspective. This isn’t lost on Mikhail Durnenkov, who presents a sample of vignettes addressing problematic aspects of modern life, from mobile phone overuse to airport security.
by guest critic Kudzanayi Chiwawa
Expat Underground tells the story of a modern day Italian migrant, who having ventured to London, the “Shiny Eldorado”, finds herself struggling with the metamorphosis from Italian to British, whilst still remaining Italian – a familiar journey for many who find themselves new in London.
a co-production with the Orange Tree Theatre
You only find round beds with pink satin sheets in particular places or owned by particular people. But it’s safe to say that a woman wearing a full, fur-suited mouse costume complete with face/head mask is not one of these.
Director Annamiek van Elst states that, “now more than ever, there is a need to represent narratives around Islam in a positive light”. Too right. Our overly white and insular theatre is trying to diversify, but it still has a long way to go and systemic white, middle class administrations’ unconscious bias to overcome.