Get Fit With Bruce Willis, online

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by Bryony Rae Taylor

A Faustian farce, Get Fit With Bruce Willis stars Chris Brannick as Mike, an ageing Jimmy Somerville impersonator, on a quest to find fame and fortune. His wife (Karen Kirkup) is looking outside of their marriage for lust and excitement. After figuring out he’s more Harry Hill than Jimmy Somerville in the looks department, he decides to re-brand himself somewhere in the middle – as Bruce Willis.

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Saturday Night Live from the Stand, The Stand Comedy Club

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by Dora Bodrogi

Lockdown-schmockdown, the show must go on! While live shows and immediate feedback are usually at the heart of stand-up, comedians have had great successes through DVD sales and streaming services such as Netflix or YouTube. Edinburgh’s The Stand Comedy Club is still standing even without a live audience, as yesterday’s broadcast has shown, one of the first of its kind. Live comedy in the time of COVID-19. Can it work?

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Notflix, VAULT Festival

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by Bryony Rae Taylor

Notflix is performed by an all-women musical improv troupe. They ask audiences to suggest a film which has not yet been made into a musical, so that they can make it into a musical – and then they make it into a musical.

The film on the night I am there is The Holiday, the one where Kate Winslet and Cameron Diaz house swap and LOVE HAPPENS. You know the one.

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Two Super Super Hot Men, VAULT Festival

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By Evangeline Cullingworth

Hidden away in a soundproofed studio, two moustached men defy Mother Nature. Foley art is shrouded in a sexy mystery. I hear fire crackling, but I see Greggs wrapper. I hear glaciers melting, but I see pinecone. It doesn’t make sense and if I think about it for too long I get sweaty and nervous.

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Pigeons on L’edge, VAULT Festival

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By Evangeline Cullingworth

Humans stuck in the horrors of a customer-facing job can rest safe in the knowledge that they are being protected by a fleet of pigeons. What did you think they were doing perched out there on the windowsill all day? They are obviously keeping watch over us.  In their time, these pigeons have seen a lot. And what an honour it is to spend an evening with Prue and Priscilla, two talented nest-mates, as they dramatized the thrills of their espionage.

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The Brief Life and Mysterious Death of Boris III, King of Bulgaria: Part The First, VAULT Festival

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By Zahid Fayyaz

Here’s a slice of history from Out of the Forest Theatre, set during World War Two. It follows the story of King Boris the Third, who allied with Nazi Germany for geopolitical reasons, but wanted to keep Bulgaria out of the fighting and his Jewish citizens safe as much as possible. This story is told with the use of dramatic recreations of what we are told are true events, with Bulgarian Folk tunes peppered throughout the performance.

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Our Man in Havana, VAULT Festival

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By Zahid Fayyaz

Spies Like Us Theatre have returned for one week with their award-winning show from 2017’s Edinburgh Fringe. A five-person adaptation of the Graham Greene satirical novel, this one-hour show follows the story of a local vacuum cleaner salesman pushed into working as a spy for MI6 in Cuba, Havana.

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BIG, VAULT Festival

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by Emma Lamond

BIG is a fun, tongue-in-cheek look at society’s relationship with food, how we are perceived by others and our growing issues with mental health. This production seems to be in the early stages of its development, but with the correct support, has the potential to become a hilarious piece of theatre with a powerful commentary on dieting, wellbeing and celebrity culture – topics that are ever growing in importance and with impact on young people, and society more widely.

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Girl Code, VAULT Festival

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by Amber Pathak

Is money everything? This is the topic of this Girl Code, a stand-up panel show hosted by the amazing Sikisa. Each show features hilarious up-and-coming women comedians, doing a warm-up set and then moving straight on to the debate. It’s like the Wright stuff, except it has jokes. All of the acts on the bill absolutely smashed their sets; the thin midday crowd roar with laughter at every other line.

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