Bard in the Yard, Park Hill Park

Preview: Bard in the Yard - Theatre Weekly

by Laura Kressly

About four and a half months since seeing last seeing live, in-person performance, I’m in a park 20 minutes away from my flat, about to watch a one-person, outdoor show. It feels slightly surreal given the times we live in, but Bard in the Yard embraces that, and truly lifts a mirror up to pandemic life today.

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I Malvolio, touring and online

Tim Crouch on 'I, Malvolio,' His One-Man Show at the Duke - The ...

by Euan Vincent

This is Tim Crouch’s retelling of Shakespeare’s Twelfth Night through the eyes of the
blighted and picked-upon puritan, Malvolio. It’s the fourth time Crouch has written such an adaptation, which he hopes will “unlock Shakespeare for young audiences”.

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Notflix, VAULT Festival

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by Bryony Rae Taylor

Notflix is performed by an all-women musical improv troupe. They ask audiences to suggest a film which has not yet been made into a musical, so that they can make it into a musical – and then they make it into a musical.

The film on the night I am there is The Holiday, the one where Kate Winslet and Cameron Diaz house swap and LOVE HAPPENS. You know the one.

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The Spirit part 2: The Lion, Battersea Arts Centre

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By Euan Vincent

Director Jack McNamara promised very different performances for each part of Thibault Delferiere’s Spirit trilogy. Attending Lion, we begin to see what he means. Audience filter in to find a desolate Delferiere sitting in a cage. Food is once again dangling from the ceiling, but whereas in the first it was an innocent apple, here a large chunk of meat, tantalises Delferiere from above.

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All Quiet On The Western Front, VAULT Festival

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By Zahid Fayyaz

First put on in 2015, this is a welcome return for Incognito Theatre’s adaptation of the novel and film of the life and trials of five German friends on the front during World War One. Fitting it all into an hour-long show is a tough task, but the five talented actors do extremely well to succeed in doing so. With minimal props and using the power of dialogue, they move from initial recruitment to punishing an overly arrogant corporal, to fighting on the front and being forced to reside in a military hospital.

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Our Man in Havana, VAULT Festival

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By Zahid Fayyaz

Spies Like Us Theatre have returned for one week with their award-winning show from 2017’s Edinburgh Fringe. A five-person adaptation of the Graham Greene satirical novel, this one-hour show follows the story of a local vacuum cleaner salesman pushed into working as a spy for MI6 in Cuba, Havana.

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V&V, Vault Festival

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By Evangeline Cullingworth

Virginia Woolf and Vita Sackville-West’s relationship is memorialized in their letters. Lifted from the heady Edwardian drawing rooms, phrases like, “throw over your man, I say, and come” or “I am reduced to a thing that wants Virginia” are stretched out and poured over. We ache for their magnetic rapport and searing wit. We savour the sweetness of their intimacy, captured with their skill and made more beautiful as generations pass.

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Jekyll and Hyde, VAULT Festival

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by Zahid Fayyaz

This is certainly something different to the majority of the festival’s shows: rather than a traditional show, it is a scavenger hunt/immersive promenade show, put on by establishedcompany Fire Hazard games. Based on the famous Robert Louis Stevenson story and pop culture icon, this show puts you and your smartphone in a quest to find out what is behind your missing memories from the night before. You can enjoy it solo, or in a group up to 3 people, but it certainly requires a lot of walking, and decent weather certainly helps.

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