The Crucible, Yard Theatre

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by Meredith Jones Russell

Chairs set out with the name of each character written on the back suggest at first glance that the Yard’s staging of Arthur Miller’s The Crucible will be stripped-back and basic. As the cast enters, reciting the full text including stage directions in their own clothes and accents, it feels like a reading. Only the stackable, institutional chairs themselves hint at what is to come; this could be a committee meeting at a small town village hall where members of a tight-knit community meet to air their concerns and dole out justice. 

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Frankenstein, Battersea Arts Centre

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by Gregory Forest

Frankenstein is a tour de force.

A choral, beatboxing, rap-infused version of Mary Shelley’s masterpiece, Battersea Arts Centre’s ‘live concept album’ manages to entertain and analyse our world in equal measure.

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The War of the Worlds, New Diorama Theatre

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by Laura Kressly

Orson Welles’ 1938 broadcast of The War of Worlds caused widespread panic with its reports of an alien invasion in New Jersey. Or did it? Did the newspapers exaggerate the reaction to sell papers, the way websites now use clickbait for hits?

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