The P Word, Bush Theatre

by Zahid Fayyaz

This new play is a real treat. Written by and starring Waleed Akhtar, it is a duologue looking at the burgeoning love story between two Pakistani men. Played by Akhtar, Bilal is a young gay Muslim man who has responded to schoolyard bullying by hitting the gym and trawling Grindr for casual hook ups. There are hints of him of him wanting more, but he pushes it down every time
disappointment hits.

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Age Is a Feeling, Soho Theatre

by Laura Kressly

We have time, and life is short. It’s ok to make mistakes, and every choice has a consequence. Self-care is important and so is hitting milestones. These conflicting truisms living within us inform small decisions and big ones. As actor/writer Hayley McGee demonstrates, they are often the root of our greatest pleasures and most suffocating griefs. Her monologue narrating an unnamed person’s life, from age 25 through the years after the they die, hones in on key episodes that irrevocably define them and their future, as well as drawing attention to death’s inevitability. As sombre as this piece is, it also adeptly encapsulates moments of joy. As a whole, it’s deeply human and beautifully performed.

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When We Dead Awaken, Coronet Theatre

by Euan Vincent

Arnold Rubek (Øystein Røger), a once great sculptor whose creative blaze now resembles little more than an ember, arrives in Norway with his young wife Maia (Andrea Bræin Hovig). He had once promised to take her to the top of a mountain and show her all that the world has. He never did. And so, she – young, frustrated – and he – despondent, lifeless – are stale and drifting apart. Along come Irene (Ragnhild Margrethe Gudbrandsen), Arnold’s long forgotten muse and former model and Ulfhejm (James Browne), a rugged bear-hunter – to tempt each into their separate awakenings.

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For All the Love You Lost, Edinburgh Festival Fringe

Fundraiser by Morosophy Productions : Morosophy Productions goes to  Edinburgh Fringe!

by Diana Miranda

Written and directed by Joshua Thomas, For All the Love You Lost is a sincerely moving piece coloured by passages of spoken word poetry and physical theatre. Despite focusing on contemporary dating, it succeeds in portraying the emotional value in connections beyond romantic love.

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Plasters, Edinburgh Festival Fringe

Interesting & heartfelt': PLASTERS – Edinburgh Fringe | My Theatre Mates

by Diana Miranda

This piece of new writing follows a young woman (Emma Tadmor) who explores what loving someone means as she tries to make sense of her relationship’s crumbling. The story unravels through metatheatrical transitions spread throughout the show that allow her to navigate the issue as herself and as the character she plays. She is joined by her partner (Julian Chesshire) during a show’s rehearsals that depict a couple who recently moved into a new flat. It’s a bit difficult to tell the difference between when they’re in character and out, and it takes a while to understand the relationship’s subplot when they’re off stage. However, the main essence is clear in both scenarios: the failure to communicate their feelings and the bitterness and frustration that entails.

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Hjem, Greenhouse Theatre

Review: Hjem at The Greenhouse Theatre - Theatre Weekly

by Diana Miranda

At the heart of Canary Wharf’s Jubilee Park, The Greenhouse lets go of theatre productions’ bells and whistles to become a zero-waste venue that works only with recycled materials. The little wooden cottage and its in-the-round staging give the audience a feeling of gathering around a fire for a storytelling session, and the tales it offers are set in natural environments that frame, or even shape, the characters’ fortunes.

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Sugar Coat, VAULT Festival

by Ali Wright

by Zahid Fayyaz

As the audience enters the venue, a band is onstage waiting. The five-piece, all-woman band stays there the whole time, playing punk rock in between performing the play’s scenes. They tell the story of eight years from a girl’s life spent growing up, falling in love, making a mistake, and her life falling apart due to horrific things happening to her. She then attempts the long road to recovery, with the help of her mother and therapist.

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Omelette, VAULT Festival

Omlette - Ali Wright-52

by Lizzie Jackson

In the dark and atmospheric Cavern at the Vaults, theatre company Long Distance present us with their first play, Omelette. It explores many of the important questions on the climate crisis. How far should we go to save the planet? How far is too far? Does it make a difference? Should we give up coffee forever?

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Be Longing, VAULT Festival

Be Longing - pink 1024 x 512

by Dora Bodrogi

What if two women could make a baby without any sperm donors?

This is the central question of this play by Lauren Gibson. It sounds like the premise of a Black Mirror episode – and it would make a great one if based on this play – in which we explore the moral and emotional dilemmas of an equally promising and dystopian scientific advancement could cause.

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