Garry, White Bear Theatre

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by Laura Kressly

In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays written by women that have never seen the light of day…Let me be clear. These are not ‘lost works’. They’ve never been considered and were simply ignored.” This world premiere by the writer of Machinal proves his point. Though several of Sophie Treadwell’s 39 plays were produced on Broadway, this one from 1954 – one of her last, and demonstrative of her skill and experience – has never before been produced.

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Justice, Blue Elephant Theatre

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by Laura Kressly

Michael and his best mate Charlie are typical teenage boys – they just want to hang out and play Fifa and party. Michael’s patient girlfriend Liv is often at their side, his mum is there to fret and nag, and his half-brother Josh reliably winds him up. They’re 17 and life is good – until it isn’t.

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Opal Fruits and Dangerous Lenses, Vault Festival

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by Laura Kressly

It’s no secret that the social class system in this country has marginalised the working classes, with women pushed to the absolute fringes of society. To the world outside their immediate circle, sometimes no bigger than the street they live on, they are invisible. Solo shows Opal Fruits and Dangerous Lenses, though radically different in style, seek to change that by centering the working class woman’s experiences and demanding attention for those wilfully forgotten.

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Chasing Bono, Soho Theatre

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by Laura Kressly

Neil is a fragile music journalist who hasn’t reconciled with his lack of success as a musician when he is kidnapped by ageing gangster Danny Machin. Danny wants Neil to write a moving exposé explaining that at heart, he’s a decent sort of chap. As Neil and Danny get to know each other in a remote Irish cabin, Neil’s past mistakes are revealed, along with his childhood friendship with a lad who went on to become an internationally renowned rockstar.

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Time is Love/Tiempo es Amor, Finborough Theatre

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by Laura Kressly

There’s so much humanity in the seedy underbellies of cities that’s easily sneered at by the white middle classes. Yet sex workers and drug dealers, corrupt cops and pterodactyls in Che Walker’s LA prevent the city from becoming a sterile, corporate hell occupied solely by the rich.

Yes, pterodactyls.

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Murder for Two, The Other Palace

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by Laura Kressly

Novelist Arthur Whitney is murdered at his surprise birthday party his wife throws for him. When a young and keen police officer arrives to secure the scene and do some preliminary investigating, he encounters a bizarre collection of characters who all have reason to kill the writer and are totally unbothered by his death. So whodunit?

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