Equus, Theatre Royal Stratford East

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by Laura Kressly

Sex and power rule the world, or at least they do in the 1970s, little England hospital where Peter Shaffer’s play unfolds. A child psychologist, known for his successful rehabilitation of troubled children, is questioning the value and morals of his work. At the same time, he reluctantly takes on a new patient, a young man who inexplicably committed a horrific crime that has rocked the local community. As the pair spar their way through the lad’s therapy sessions, both reveal secrets they are ashamed to keep.

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Bring Them Home, Vault Festival

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by Meredith Jones Russell

In a galaxy far, far away, a short walk from the main Vaults site, the USA, USSR and European Union have assembled their finest scientists to bring an international space expedition safely back to earth.

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Jesus Hopped the ‘A’ Train, Young Vic

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by Maeve Campbell

Angel Cruz has shot a man in the ass. He says he didn’t kill the religious cult leader, who
had apparently brainwashed his best friend Joey, but this man is now dead. This is where
we start Jesus Hopped the ‘A’ Train. What follows is a compelling exploration of guilt,
goodness and godliness as Angel, incarcerated in New York’s infamous Rikers Island,
confronts his emphatic public defender, a sadistic prison guard and a charismatic, born-
again Christian serial killer.

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Digging Deep, Vault Festival

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by Laura Kressly

CW: suicide and self-harm

Mossy is only 22 but he’s tired of life. He can’t shake the feeling that there’s nothing more than this, so the best option is to call it a day and kill himself. His only concern is that his mum won’t be able to afford his funeral, so he convinces his reluctant mates to launch a fundraising campaign before he goes. Touching on toxic masculinity, male friendship, euthanasia and voyeuristic media consumption, this new script has some clumsy writing but the themes that propel the action forward to a surprising end smartly support the story of friendship.

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Come From Away, Phoenix Theatre

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by Amy Toledano

The community of Gander, Newfoundland in Canada, a tiny town with a population of 10,000, were the last people to expect their airport full of planes of stranded passengers on the day of the 9/11 events. However, this is exactly what happened, and as the delightful new musical Come From Away reveals, the townspeople rallied together and did their best to provide comfort to those grounded during the tragedy.

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