Post Popular, Soho Theatre

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by Laura Kressly

I feel for the stage manager that has to coordinate the clean-up after this show. Soil, leaves, ketchup, chocolate wrappers, cherry bakewell crumbs, fake flowers and bodily fluids are everywhere. Lucy McCormick is certainly the queen of filth. She’s also ruler of the absurd, grotesque and biting social commentary. Though her previous show Triple Threat is more sophisticated than this one, comedy and vulgarity join forces as McCormick chronicles history’s strong women in the hopes of finding herself a hero.

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Midnight Movie, Royal Court

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by Laura Kressly

Night can be a time of rest and escape, or mystery and danger where anything can happen. For people with chronic illnesses, vampires lurk in the darkness whilst those around you sleep. In the wee hours of the morning, playwright Eve Leigh seeks refuge online from her pain and corporeal limitations. Whilst it’s all too easy to condemn the downsides of an extremely online lifestyle, Leigh celebrates its ability to fly her around the world when her body lets her down. This millennial fever-dream of memories, horror stories and conspiracy theories blur the real and the internet’s dark corners as two actor/avatars and colour-soaked design convey the realities of a life punctuated by an uncooperative body.

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Rage But Hope, Streatham Space Project

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by Laura Kressly

An M&S-shopping grandmother. A year seven girl. A young, gay black man. An armed services vet. These are some of the Extinction Rebellion activists that playwright Stephanie Martin celebrates through this articulate and impassioned collection of monologues that advocate for people to commit to any level of action against climate change. However, the problematic aspects of the movement are largely glossed over in order to frame its collective impact as wholly positive.

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