Dumbledore is So Gay, VAULT Festival

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by Dora Bodrogi

Forget trying to get your Friday Forty tickets to Cursed Child. Dumbledore is So Gay is a play so good you won’t need a philosopher’s stone to give you life.

Meet our hero, Jack – a teenage boy who hates French, got sorted into Hufflepuff, and who is in love with his best friend Ollie. Life is not going to be easy for him growing up gay during the heyday of Harry Potter. His story is told in three acts.

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Essence, VAULT Festival

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by Jade Pathak

Essence explores the theme of loneliness, what it looks like, and its impact on human relationships.  Sarah Henley’s charming, new 60-minute play tells the story of how 32-year-old Elyot’s repetitive, meticulously-timed life which he has full control over gets blown apart when Laquaya – 14, intelligent, gentle, yet loud and argumentative – breaks into his home. It is an incredibly thought-provoking and hugely enjoyable story that everyone can relate to.

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Omelette, VAULT Festival

Omlette - Ali Wright-52

by Lizzie Jackson

In the dark and atmospheric Cavern at the Vaults, theatre company Long Distance present us with their first play, Omelette. It explores many of the important questions on the climate crisis. How far should we go to save the planet? How far is too far? Does it make a difference? Should we give up coffee forever?

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The Buzztones Present ‘Guilty Pleasures’, VAULT Festival

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by Zahid Fayyaz

The group’s sophomore run at the festival, this is the a-cappella company’s homage to
‘guilty pleasures’ – cheesy songs you shouldn’t love, but (judging from the singalongs at this afternoon performance) most people do. An all-male, eleven-strong group greet the audience at this show, with a backdrop of album covers of by the cheesy artists they would be performing.

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Aamira and Gad, VAULT Festival

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by Zahid Fayyaz

A site-specific play with a slight immersive element for the audience, this is the latest
production from new company Bee in my Beanie. They establish a framing sequence consisting of the Archivist Society looking at a ‘story’, with the head archivist portrayed as a magnificent, giant puppet. This is mainly the story of Aamira and Gad, two children on opposite sides of a border conflict, forced to come together following a sudden loss.

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Sticky Door, VAULT Festival

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by Joanna Trainor

Disclaimer: Good reviewing practice is not to put yourself into your article – your review is about the show, not the journalist. But I have such an emotional connection to Katie Arnstein’s work, that I struggle to write about her productions as ‘objectively’ as I perhaps should. It’s probably why it’s taken me so long to put pen to paper.

Rhubarb and custard sweets, a ukulele, placards, and a voiceover montage of misogynistic statements that make you oh so angry – all signs point to the final installment of Katie Arnstein’s It’s A Girl! trilogy.

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