A Pattern of Bad Behaviour, VAULT Festival

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by Zahid Fayyaz

This is a new two-hander from Clown Funeral, a West Midlands based company who are also associates artists of the New Diorama Theatre, a hotbed for new work. It tells a slightly twisted tale of two strangers who meet, fight, and then form a friendship. This companionship is one based on a connection which neither quite seems to be able to express into words, but rather by attacking each other.

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Bicycles and Fish, VAULT Festival

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by Bryony Rae Taylor

Katie Arnstein’s show Sexy Lamp tears down the acting industry, its gendered prejudices,  its inclination to dispose of women and to objectify them, all in the space of an hour. She is eloquent, gentle, and the show packs a long-lasting impact.

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Frida Kahlo: Viva la Vida!, VAULT Festival

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by Bryony Rae Taylor

So many of us are guilty of idolising women without investing in their stories. Frida Kahlo’s memory is probably one of the most exploited in the art world. She’s on rucksacks; she’s on pencil cases; she’s perpetually immortalised on cotton tote bags. But how many of us have genuinely spent time learning about her? Maybe that’s too cynical, but the phrase ‘I love Frida Kahlo!’ has fallen out of my mouth on so many occasions when, actually, what do I know? Probably not enough.

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Just These Please: Suitable, VAULT Festival

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by Bryony Rae Taylor

Just These Please are a sketch troupe made up of Georgie Jones, William Sebag-Montefiore, Philippa Carson and Tom Dickson. Their show is called Suitable, which I assume is because when they are on stage they wear suits. Or maybe they are suited because the show is called Suitable. CHICKEN AND EGG SITUATION.

Anyway. They look suave.

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Naked, VAULT Festival

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by Dora Bodrogi

A piece called Naked is sure to bring a memorable experience. Dancer duo Luke Vincent and Paige-Marie Baker-Carroll’s piece does not disappoint. Theirs is a performance that mixes dance, cabaret, theatre, music, and unconventional movement with the aim of putting unapologetic, raw self-expression in the spotlight in a way that lingers long after the lights fade.

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Jollof Wars, VAULT Festival

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by Amber Pathak

The play opens with three, young lads playing games. As it reaches dinner time they begin to debate whose country’s food is better: Jamaica, Cameroon or Ghana? This is the basis of Jollof Wars – an argument between two families that will see relationships broken and mended. Focusing on the engagement of a Ghanaian man to a Nigerian woman, Jollof Wars gives a witty yet poignant insight into how culture influences our choices, and in turn impacts the rest of our lives.

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