Tokyo Rose, Curve Leicester

Curve Theatre / Tokyo Rose

by Olivia Rose Deane

Burnt Lemon have taken their acclaimed 2019 Edinburgh Fringe hit Tokyo Rose on the road with a retooled cast, score and book and a good deal of anticipation. The bones of this new version of the show remain the same, telling the story of Iva Toguri, a Japanese-American radio journalist wrongly convicted of treason in 1945. As in the original, themes include xenophobia, cultural identity, and scapegoating, all with a six-strong female cast. The show opens with the high-energy and undeniably catchy “Hello America” – attention well and truly grabbed. Unfortunately, the number also represents the pinnacle of what is otherwise a flat, one-note production. The book (by Baldwin and Yoon) is generally good, retaining some of the smart, self-referential moxie that made the show charming in 2019, but is let down by the weakness of the score.

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Epic Love and Pop Songs, New Wimbledon Studio

Epic Love and Pop Songs Tickets | Studio at New Wimbledon Theatre in Greater London | ATG Tickets

by Diana Miranda

High school and a pregnant teenager – Doll (Georgie Halford) lays out what it means to face judgmental peers and an indifferent mother. She finds support in her new friend, Ted (Roel Fox), but this unlikely friendship will face challenges he didn’t bargain for. They talk directly to the audience, overtly assuming the role of storytellers in what starts as Doll’s story. However, as the show moves forward, they begin to disagree on how much truth they share and how they’ll deal with the recollection of events. Doll, arrogant and stubborn, is resolved to move away from the truth. Ted starts by playing along, humble with a big smile, and assumes the role of a sidekick/assistant as they embark on the recreation of the rise and fall of their friendship. Eventually, however, he breaks out from Doll’s solo attempt as he grows determined to bring the truth to light.

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A Place for We, Park Theatre

Review: A Place for We at Park Theatre, London – 'Absorbing, nuanced performances'

by Romy Foster

Let ‘spirit tek yuh’ through a cycle of life and death in this time-warp through Brixton from the 1970’s to present day.
Through the decades, three families try to navigate their way through an ever-changing environment. With gentrification and protests on the rise, trying to maintain dying family businesses proves difficult when they are all resistant to change.

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Screen 9, Pleasance Theatre

Edinburgh Review: Screen 9 at Pleasance @ EICC - Theatre Weekly

by Zahid Fayyaz

This was a big hit at the (limited) Edinburgh Fringe this year, and comes down to north London’s Pleasance Theatre for only two performances. It tells the story of the Aurora, Colorado cinema shooting during the Dark Knight Returns movie premiere, when a shooter killed 13 people during a midnight screening. This is a serious subject for a show, and Piccolo Theatre Company put forward the story using the method of verbatim theatre, with the script constructed from interviews with four survivors of the shooting, some of whom lost someone during the attack.

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Rainer, Arcola Theatre

Best 500+ London At Night Pictures | Download Free Images on Unsplash

by Laura Kressly

Rainer isn’t fussed about the sort of day job she does, as long as it gives her the opportunity to meet people. Currently working as a bike courier for Angel Deliveries, the young writer narrates the trips that take her all over London delivering food. Her story is punctuated with anecdotes of getting too involved with customers, as well as escapades with her flatmate, sessions with her therapist, and aching odes to London. Her bicycle, named Jean, takes her on these adventures as well as gives her the means to outride her demons, but ultimately they are quicker than her.

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Mythosphere, Stone Nest

Mythosphere: Magical Russian-UK theatre production opens at Stone Nest | Stage Chat

by Laura Kressly

This luxurious, multimedia production about magical worlds, the ability to access them, and how society as a whole regards magic is a sensory feast and provokes reflection on the status quo. However, it has a troubling heart. In the programme notes for Mythosphere, director, writer and producer Inna Dulerayn explains how she was inspired by Leonora Carrington, a surrealist artist and activist. Dulerayn writes, “reading about her experience in a mental asylum made me look deep into the nature of mental disorders, discovering their similarities with states of spiritual enlightenment and the phenomenon of extrasensory abilities”. This comment, and the show’s story, make it clear that underlying the production’s beautiful exterior there are dangerous ideas about mental health that could have scary repercussions.

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Relatively Speaking, Jermyn Street Theatre

Relatively Speaking – Jermyn Street Theatre, London - The Reviews Hub

by Zahid Fayyaz

This is the first show in the Jermyn Street Theatre’s Encounters season, and they have certainly started it off on a high note. This is a production of one of Alan Ayckbourn’s first plays from 1965, a comedy and farce set around the misunderstandings between two couples. It begins when Greg, keen to propose to his new girlfriend Ginny, decides to travel down to ask her parents for permission, having gleaned their address from a cigarette packet in Ginny’s flat. However, the couple at the address, Phillip and Sheila, are not Ginny’s parents, but Greg fails to cotton onto this – hence the comedic miscommunications.

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Feature | Bringing Characters to Life

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by Laura Kressly

Passion Fruit is very much Dior Clarke’s story, but it’s not a solo performance. Though the first rehearsal I observed consisted of the director Melina Namdar solely working with Clarke, the second included actor Hayden Mampasi, who takes on a varied collection of supporting characters. In this rehearsal, director Melina Namdar uses a range of exercises to develop Mampasi’s characterisations and ensure the people he plays are distinct from each other. It’s an intense day full of work on the details that bring characters to life on stage, showcases Namdar’s expansive director toolkit, and the techniques that actors use to bring characters to life.

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Small Changes, Omnibus Theatre

Theatre review: Small Change at Omnibus Theatre

by Diana Miranda

Both Barrels Theatre’s revival of Peter Gill’s 1976 Small Changes looks back to postwar Cardiff through the eyes of two Catholic, working-class families. Gill’s narrative provides a layer of evocative lyricism scattered throughout the memories of two men, giving a poetic undertone to a realistic play.

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Improvabunga, Edinburgh Festival Fringe

AUDIENCE REVIEWS: IMPROVABUNGA – MidlandsImprov.com

by Diana Miranda

How do you earn the spotlight for a musical thriller about spy kids facing deathly traps at an indoor trampoline park? Producers, take note of the title: Jump into death: the bounce back. It might be too specific a niche, but worry not, the solution is simple. Call Watch This Improv Troupe. 

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